Almost 50 years to the date, a month after arriving in New York to study sociology and film at Columbia University, I saw a young, insecure, unknown director, named Martin Scorsese, introducing his film on stage at the N.Y. Film Festival.
Mean Streets (1973): Scorsese’s Third Film, Starring Harvey Keitel and DeNiro Announced the Arrival of Major Visionary Director
September 30, 2023 by
King of Comedy (1983): Scorsese’s Underestimated Movie
August 8, 2013 by
As directed by Scorsese, “King of Comedy” was misinterpreted by many film critics–the black comedy offers a pungent (ahead od its time) look at perverse obsession with celebrities.
Raging Bull (1980): Scorsese’s Masterpiece, Starring De Niro in his Second Oscar-Winning Performance with Joe Pesci, Cathy Moriarty (Torturro Uncredited) (Masterpieces of American Cinema)
April 29, 2012 by
In Raging Bull, Scorsese equates sexuality with brute force and erratic violence; it’s a vicious circle. Freud has called it the “Madonna-whore complex.” Prizefighter Jake LaMotta suffers such low self-esteem and insecure masculinity that he cannot respect a woman who would sleep with him, and is convinced that given the choice she would rather sleep with another man.
New York, New York (1977): Scorsese Flawed Musical, Neither Effective as Homage to Classic Hollywood, Starring De Niro and Liza Minnelli
March 6, 2012 by
Scorsese’s valentine to the classic Hollywood musical and the Big Band era, is an interesting feature that ultimately fails as a period piece or dark musical.
Mean Streets (1973): Scorsese’s Third Film, Starring Harvey Keitel and DeNiro, Announced the Arrival of Major Talent
February 21, 2008 by
Emphasizing characterization rather than plot, Mean Streets assured Scorsese a central role in contemporary film history. Densely rich and angst-ridden, his films are rooted in his Italian-American-Catholic experience, confronting themes of sin, guilt and redemption in a fiercely contemporary yet universal fashion. His explorations of male camaraderie, violent behavior, and men's deep fear of women have left a significant imprint on the work of numerous directors.
