Destin Daniel Cretton expands his 2008 short of the same name into a feature length film, Short Term 12, and one of the highlights of indie cinema in 2013.
Some critics were upset when this intriguing indie was rejected by the Sundance Film Fest–it received its world premiere at Austin’s SXSW, in March. The film was released theatrically in August, but, again inexplicably, grossed only $1 million at the box-office.
One of the year’s best reviewed films–according to Rotten Tomatoes, it has 98 percent approval–Short Term 12 is now released on DVD on January 14. You should watch this well directed, well acted drama, which deserves attention for its sharp observations about a little-known phenomenon.
The tale depicts the daily routines (joys and pains and struggles) of a compassionate twentysomething couple, contending with some unexpected events, while working as supervisors at a home for at-risk teens–referred to by the media as underprivileged or troubled adolescents.
The likable protagonist, Grace (Brie Larson), is a sensitive woman, dedicating her life to helping kids who have slipped through the cracks of the educational systems. Though fully committed to her job and in love with kindhearted co-worker Mason (John Gallagher Jr.), she’s still struggling to make sense of her own troubled past, a problem that gets aggravated when she learns that her life is about to change forever. When she is pregnant, but she is not sure when and how to tell Mason, and whether or not to keep the baby.
The place’s social dynamics are changed with the arrival of two outsiders. The first is a new worker named Nate (Rami Malek), who, on his very first day, gets into conflict. Rather innocently, he describes his goal as helping “underprivileged” kids, a term that offends the senior resident, Marcus, a black teenager about to leave the place.
The second, more significant outcast, is a young, beautiful girl named Jaiden (Kaitlyn Dever), who’s been shifted between group homes due to dangerous, erratic behavior, marked by sudden eruption of anger and self-inflicted violence.
Almost immediately, Grace forges a powerful connection with her new charge, and this subplot occupies the emotional center of the film.
Grace can not open up to Mason in the way that she encourages the kids to open up to her. She is going through personal turmoil, but still providing strong support to the kids, who are dependant on her.
Grace could not have had a more understanding and loving companion than Mason, who himself is a product of adoptive Hispanic parents. In one of the film’s loveliest scenes, Mason and Grace visit his old family which he considers as his real Mom and Pop, without whose love and support he would never have been able to make it in the “real” world.
You can fault the film for becoming a tad too melodramatic in its last scenes, but most of what is shown is so candid and compelling that it doesn’t matter.
The circular tale, which begins and ends with the erratic behavior of the same red-haired boy, aptly conveys the day-to-day, hour-by-hour work that are involved in such public service.
If nothing else, Short Term 12 should put on the map not only its director but also its gifted leading actress, Brie Larson, who performance is truthful and flawless.
Credits
MPAA: R
Running time: 96 Minutes
Destin Daniel Cretton.
January 14, 2014.
Cast
Brie Larson as Grace
John Gallagher Jr. as Mason
Kaitlyn Dever as Jayden
Rami Malek as Nate
Kevin Hernandez as Luis
Melora Walters as Dr. Hendler
Keith Stanfield as Marcus
Stephanie Beatriz as Jessica
Lydia DuVeaux as Kendra
Alex Calloway as Sammy
Frantz Turner as Jack
Diana-Maria Riva as Nurse Beth
