Opposite Sex, The (1956): David Miller’s Lousy, Trivial Remake of Cukor’s Cult Comedy “The Women”

Poorly Directed by David Miller, the Metrocolor-CinemaScope picture  is a terrible remake of Cukor’s 1939 cult comedy ‘The Women’

Camille (1937): Cukor-Garbo’s Masterpiece (Part 2)

Part Two 

Cukor found Garbo to be a most imaginative actress, who moved gracefully, as she showed in the scene in which she sank to her knees. Her performance was built out of many small but inventive gestures. Like the way Garbo responded when Taylor says, "No one has ever loved you as I love you!" "That may be true," Garbo replies with a casual smile, "but what can I do about it?" When Garbo burst out into tears, it wasn't an actress crying.  

 

 

 

 

 

 

 

Dinner at Eight (1933): Cukor Directing Jean Harlow and John Barrymore

Budgeted at $420,000, Dinner at Eight was made in the Thalberg tradition of quality, a prestigious modern drama with meaningful text, well acted by an ensemble of stars.