Movie Stars: Child Actors–Driscoll, Bobby (The Window) (Oscar)

Bobby Driscoll (March 3, 1937 – circa March 30, 1968) was an American actor known for his film and TV performances from 1943 to 1960.

He starred in some of the Walt Disney Studios’ best-known live-action pictures of that period, such as Song of the South (1946), So Dear to My Heart (1949), The Window (1949), and Treasure Island (1950).

Most notably, he served as the animation model and provided the voice for the title role in Peter Pan (1953).

He received a Juvenile Oscar Award for outstanding performance in two feature films released in 1949, for his roles in So Dear to My Heart and The Window.

In the mid-1950s, Driscoll’s acting career began to decline, and he turned primarily to guest appearances on anthology TV series. He became addicted to narcotics, and was sentenced to prison for illicit drug use.

After his release, he focused his attention on the avant-garde art scene. In ill health from his substance abuse, and with his funds depleted, his body was discovered on March 30, 1968, in an abandoned building in the East Village of Manhattan.

He was born Robert Cletus Driscoll in Cedar Rapids, Iowa, the only child of Cletus (1901–1969), an insulation salesman, and Isabelle (née Kratz; 1904–1981), a former schoolteacher.

Shortly after birth, the family moved to Des Moines, where they stayed until early 1943. The family moved to Los Angeles when a doctor advised the father to relocate to California because he was suffering from work-related handling of asbestos.

Driscoll’s parents were encouraged to help their son become a child performer. Their barber’s son, an actor, got Bobby an audition at MGM for a role in the family drama Lost Angel (1943), which starred Margaret O’Brien. While on tour across the studio lot, five-year-old Driscoll noticed a mock-up ship and asked where the water was. The director was impressed by the boy’s curiosity and intelligence and chose him over 40 applicants.

Driscoll’s brief, two-minute debut helped him win the role of young Al Sullivan, the youngest of the five Sullivan brothers, in the 20th Century Fox’s World War II drama The Fighting Sullivans (1944), with Thomas Mitchell and Anne Baxter.

Other screen portrayals included the boy who could blow his whistle while standing on his head in Sunday Dinner for a Soldier, the “child brother” of Richard Arlen in The Big Bonanza (both 1944), and young Percy Maxim in So Goes My Love (1946),[5] with Don Ameche and Myrna Loy. He also had smaller roles in movies such as Identity Unknown (1945) and Miss Susie Slagle’s, From This Day Forward, and O.S.S. with Alan Ladd (all 1946).

Driscoll and Luana Patten were the first actors Disney placed under contract. Driscoll played the lead in Song of the South (1946), which introduced live action in conjunction with extensive animated footage. The film turned Driscoll and co-star Luana Patten into child stars, and they were discussed for a special Academy Award as the year’s best child actors, but that year, no juvenile awards were presented at all.

Nicknamed by the American press as Disney’s “Sweetheart Team,” Driscoll and Patten starred in So Dear to My Heart (1948) with Burl Ives and Beulah Bondi. It was planned as Disney’s first all-live-action movie, but its release was delayed until late 1948 to meet demands of Disney’s co-producer and distributor RKO for animated content in the film.

Driscoll played Eddie Cantor’s screen son in the RKO musical comedy If You Knew Susie (1948), in which he teamed with former Our Gang member Margaret Kerry.

Patten and he appeared with Roy Rogers and the Sons of the Pioneers in the live-action teaser for the Pecos Bill segment of Disney’s cartoon compilation Melody Time (1948).

The Window: Classic Noir

Driscoll was lent to RKO to star in The Window, based on Cornell Woolrich’s short story “The Boy Cried Murder.” Howard Hughes, who had bought RKO, considered the film unworthy of release and Driscoll not much of an actor, so delayed its release. When it was released in May 1949, it became a surprise hit.

The New York Times credited Driscoll with the film’s success: “The striking force and terrifying impact of this RKO melodrama is chiefly due to Bobby’s brilliant acting, for the whole effect would have been lost were there any suspicion of doubt about the credibility of this pivotal character… The Window is Bobby Driscoll’s picture, make no mistake about it.”

So Dear to My Heart and The Window earned Driscoll Special Juvenile Academy Award in March 1950 as the outstanding juvenile actor of 1949.

Driscoll was cast to play Jim Hawkins in Walt Disney’s version of Robert Louis Stevenson’s Treasure Island (1950), with British actor Robert Newton as Long John Silver, the studio’s first all-live-action picture.

The feature was filmed in the UK, and during production, Driscoll was found to not have a valid British work permit, so his family and Disney were fined and ordered to leave the country. They were allowed to remain for 6 weeks to prepare an appeal, and director Byron Haskin hastily shot all of Driscoll’s close-ups, using his British stand-in to film missing location scenes after his parents and he had returned to California.

Treasure Island was international hit, and several other film projects involving Driscoll were under discussion, but none materialized. Haskin recalled in his memoirs that Disney, though interested in Stevenson’s pirate story as full-length cartoon, always planned to cast Driscoll as Mark Twain’s Tom Sawyer. He was at the perfect age for the role, but because of a story rights ownership dispute with Hollywood producer David O. Selznick, who had previously produced the property in 1938, Disney ultimately canceled the entire project.

Driscoll also was scheduled to portray a youthful follower of Robin Hood following Treasure Island, again with Robert Newton, who would play Friar Tuck, but Driscoll’s run-in with British immigration made this impossible.

Driscoll’s second Disney contract allowed him to be lent to independent Horizon Pictures for the double role of Danny/Josh Reed in When I Grow Up (1951). His casting was suggested by screenwriter Michael Kanin.

In addition to brief guest appearance in Walt Disney’s first TV Christmas show in 1950, One Hour in Wonderland, Driscoll lent his voice to Goofy, Jr. in Disney cartoon shorts “Fathers are People” and “Father’s Lion,” released in 1951 and 1952.

Driscoll portrayed Robert “Bibi” Bonnard in Richard Fleischer’s comedy The Happy Time (1952), based on Broadway play of the same name by Samuel A. Taylor. Cast with Charles Boyer, Marsha Hunt, Louis Jourdan, and Kurt Kasznar, he played juvenile offspring of patriarch in Quebec of the 1920s, the character upon whom the plot centered.

Driscoll’s last major success, Peter Pan (1953), was produced largely between May 1949 and mid-1951. Driscoll was cast with Disney’s “Little British Lady” Kathryn Beaumont, who was in the role of Wendy Darling; he was used as the reference model for the close-ups and provided Peter Pan’s voice, and dancer and choreographer Roland Dupree was the model for the character’s motion. Scenes were played on an almost empty sound stage, with only the most essential props, and filmed for use by the animators.

In his Disney biography, Marc Elliot described Driscoll as the producer’s favorite “live action” child star: “Walt often referred to Driscoll with great affection as the living embodiment of his own youth”.

During a project meeting following the completion of Peter Pan, though, Disney stated that he now saw Driscoll as best suited for roles as a young bully rather than a likeable protagonist.

Driscoll’s salary at Disney had been raised to $1,750 per week, but Driscoll had little work from 1952 on. In March 1953, the two-year option (which would have kept him at Disney into 1956) was cancelled, just weeks after Peter Pan was released.

A severe case of acne at the onset of puberty, explaining why it was necessary for Driscoll to use heavy makeup for his TV shows, was officially provided as the final reason for his termination by the Disney Studios.

Driscoll encountered increasing indifference from the other Hollywood studios. Still perceived as “Disney’s kid actor,” he was unable to get movie roles as a serious actor.

For most of the next 3 years, his work was on TV, anthology and drama series as Fireside Theater, Schlitz Playhouse of Stars, Front Row Center, Navy Log, TV Reader’s Digest, Climax!, Ford Theatre, Studio One, Dragnet, Medic, Dick Powell’s Zane Grey Theatre.

On Men of Annapolis, he appeared with John Smith, future second husband of Luana Patten, Driscoll’s Song of the South co-star,

In special star-focusing series, Driscoll appeared with Loretta Young, Gloria Swanson, and Jane Wyman.

Between 1948 and 1957, he performed on radio, special broadcast version of Treasure Island in January 1951 and of Peter Pan in December 1953. As it was common practice in this business, Driscoll and Luana Patten also did promotional radio gigs (starting in late 1946 for Song of the South) and toured the country for various parades and charity events through the years.

In 1947, he recorded a special version of “So Dear to My Heart” at Capitol Records. In 1954, he was awarded a Milky Way Gold Star Award, chosen in nationwide poll for his work on TV and radio.

After Driscoll left Disney, his parents withdrew him from the Hollywood Professional School, which served child movie actors, and sent him to the public West Los Angeles University High School. There, his grades dropped substantially, and when he became the target of ridicule, he began to take drugs. He said later, “The other kids didn’t accept me. They treated me as one apart. I tried desperately to be one of the gang. When they rejected me, I fought back, became belligerent and cocky—and was afraid all the time.”

At his request, Driscoll’s parents returned him to Hollywood Professional School, where in May 1955 he graduated.

His drug use increased: “I was 17 when I first experimented with the stuff. In no time I was using whatever was available… mostly heroin, because I had the money to pay for it.”

In 1956, he was arrested for possession of marijuana, but the charge was dismissed. On July 24, 1956, Hedda Hopper wrote in the LA Times: “This could cost this fine lad and good actor his career.”

In 1957, he had two TV parts, as the loyal brother of a criminal immigrant in M Squad, a crime series starring Lee Marvin, and as officer aboard the submarine S-38 in an episode of the World War II docudrama series The Silent Service.

In December 1956, Driscoll and his longtime girlfriend, Marilyn Jean Rush eloped to Mexico to get married despite their parents’ objections. The couple was later rewed in a ceremony in Los Angeles in March 1957. They had two daughters and one son, but the relationship did not last. They divorced in 1960.

Driscoll began using the name “Robert Driscoll” to distance himself from his youthful roles as “Bobby” (since 1951, he had been known to friends and family as “Bob,” and in Schlitz Playhouse of Stars – Early Space Conquerors, 1952, was credited as “Bob Driscoll.”

He landed two final screen roles: with Cornel Wilde in The Scarlet Coat (1955), and opposite Mark Damon, Connie Stevens, and Frances Farmer in The Party Crashers (1958).

In 1957, he appeared in an episode of the TV series The Silent Service, “The Ordeal of the S-38.”

He was charged with disturbing the peace and assault with a deadly weapon, the latter after hitting with a pistol one of two hecklers who made insulting remarks while he was washing a girlfriend’s car; the charges were dropped.

His last appearances on TV were small roles in two single-season series: The Best of the Post, a syndicated anthology series adapted from stories published in The Saturday Evening Post magazine, and The Brothers Brannagan, an unsuccessful crime series starring Stephen Dunne and Mark Roberts. Both were originally aired on November 5, 1960.

In 1961, he was sentenced as drug addict and imprisoned at the Narcotic Rehabilitation Center of the California Institution for Men in Chino, California. When Driscoll left Chino in early 1962, he was unable to find acting work. Embittered, he said, “I have found that memories are not very useful. I was carried on a silver platter—and then dumped into the garbage.”

In 1965, a year after parole expired, he relocated to New York, hoping to revive his career on Broadway, but was unsuccessful.

He became part of Andy Warhol’s Greenwich Village art community, known as the Factory, where he focused on his artistic skills.

He had been encouraged by artist Wallace Berman, whom he had befriended after joining Berman’s art circle (now also known as Semina Culture) in Los Angeles in 1956. Some of his works were considered outstanding, and a few of his surviving collages and cardboard mailers were exhibited in Los Angeles at the Santa Monica Museum of Art.

In 1965, early in his tenure at the Factory, Driscoll gave his last film performance, in experimental filmmaker Piero Heliczer’s underground movie Dirt.

On March 30, 1968, two boys playing in a deserted East Village tenement at 371 East 10th St. found his body lying on a cot, with two empty beer bottles and religious pamphlets scattered on the ground. A postmortem examination determined that he had died from heart failure caused by advanced atherosclerosis from drug use. Photos shown around the neighborhood yielded no positive identification. His unclaimed body was buried in an unmarked pauper’s grave in New York City’s Potter’s Field on Hart Island.

Late in 1969, Driscoll’s mother sought the help of officials at the Disney studios to contact him, for a reunion with his father, who was nearing death. This resulted in fingerprint match at the New York City Police Department, which located his burial on Hart Island. Although his name appears on his father’s gravestone at Eternal Hills Memorial Park in Oceanside, California, his remains are still on Hart Island.

In 1971, the re-release of Song of the South prompted reporters to research the whereabouts of the star, which led to the first reports about his death.

Juvenile Oscar

Driscoll received Juvenile Oscar from the Academy of Motion Picture Arts and Sciences at the 22nd Oscars presentation in 1950.  The award was presented as a special miniature Oscar statuette for “the outstanding juvenile actor of 1949” for his roles in So Dear to My Heart and The Window, both released that year. He also received the Milky Way Gold Star Award in 1954 for his work on television and radio.

For his contributions to the motion picture industry, Driscoll received a star on the Hollywood Walk of Fame at 1560 Vine Street in 1960.

In February 2009, singer-songwriter Benjy Ferree released Come Back to the Five and Dime Bobby Dee Bobby Dee, a concept album based in part on Driscoll’s life.

In September 2011, American singer-songwriter Tom Russell released the song “Farewell Never Neverland” on the album Mesabi, an elegy for Bobby Driscoll as Peter Pan.

Selected filmography

1943 Lost Angel Bobby, Boy on Train with Sucker, Uncredited

1944 The Fighting Sullivans Al Sullivan as a child Uncredited

1944 Sunday Dinner for a Soldier Jeep Osborne
1944 The Big Bonanza Spud Kilton
1945 Identity Unknown Toddy Loring
1946 Miss Susie Slagle’s Boy with Wounded Dog Uncredited
1946 From This Day Forward Billy Beesley
1946 So Goes My Love Percy Maxim (Alternative title: A Genius in the Family)

1946 O.S.S. Gerard
1946 Three Wise Fools Pixie Uncredited
1946 Song of the South Johnny
1948 If You Knew Susie Junior Uncredited
1948 Melody Time Himself
1949 So Dear to My Heart Jeremiah Kincaid Academy Juvenile Award for 1949
1949 The Window Tommy Woodry Academy Juvenile Award for 1949 and 1950 Treasure Island Jim Hawkins
1951 When I Grow Up Josh / Danny Reed
1951 Lux Video Theatre Billy Crandall Episode: “Tin Badge”
1952 Father’s Lion Goofy Jr. Voice
1952 The Happy Time Robert “Bibi” Bonnard
1953 Peter Pan Peter Pan Voice and close-up model
1955 The Scarlet Coat Ben Potter
1956 Crusader Josef Episode: “Fear”
1956 Climax! Gary Episode: “The Secret of River Lane”
1957 M Squad Stephen/Steve Wikowski Episode: “Pete Loves Mary”
1957 The Silent Service Fletcher Episode: “S01, E15, The Ordeal of the S-38”
1958 Frontier Justice Trumpeter Jones Episode: “Death Watch”
1958 The Party Crashers Josh Bickford
1958 The Millionaire Lew Conover Episode: “The Norman Conover Story”
1959 Trackdown Mike Hardesty Episode: “Blind Alley”
1959 Rawhide Will Mason Episode: “Incident of Fear in the Streets”
1960 The Brothers Brannagan Johnny Episode: “The Twisted Root”
1960 Rawhide Billy Chance Episode: “Incident of the Captive”
1965 Dirt Unknown Produced by Andy Warhol, (final film)


1954 The Boy With a Cart, The boy February 1954
1954 Ah, Wilderness! Richard Miller August 1954 (Pasadena Playhouse)
1957 Girls of Summer unknown May 1957 (Players Ring Theatre)

Radio shows

1946 Song of the South – Promo-Interview[71] Bobby Driscoll and Luana Patten, hosted by Johnny Mercer Aired in late 1946
1946 Song of the South – Promo-Interview[71] Bobby Driscoll, Luana Patten, Walt Disney and James Baskett, hosted by Johnny Mercer Aired in late 1946
1946 The Dennis Day Show (aka A Day in the Life of Dennis Day) – “The Boy Who Sang For A King” Cecil (a little carol-boy) Aired on December 25
1948 Family Theater – “As the Twig is Bent” Aired in February 1948
1948 Family Theatre– “The Future is Yours” Aired on Feb 19
1948 Family Theatre – “Jamie and the Promise” Aired August 19
1948 Family Theater – “A Daddy for Christmas” Aired on Dec 15
1950 Family Theater – “Mahoney’s Lucky Day” Aired on April 19 – hosted by himself
1950 Hallmark Playhouse – “Knee Pants” Aired on June 25
1950 Movietown Radio Theater – “The Throwback” July 6
1951 Lux Radio Theatre – “Treasure Island” Jim Hawkins Aired on January 29
1951 Cavalcade of America–“The Day They Gave Babies Away” Dec 25
1953 Family Theater–“The Courtship of John Dennis” Aired on April 8
1953 Lux Radio Theater – “Peter Pan” Peter Pan Aired on December 10
1955 Family Theater – “The Penalty” Aired on October 12
1956 Family Theatre – “Fair Exchange” Aired on September 19
1957 Family Theatre – “A Shot in the Dark” Aired on August 7

Literature (selected)

Holmstrom, John. The Moving Picture Boy: International Encyclopaedia from 1895 to 1995, Norwich, Michael Russell, 1996, pages 202–203.

David Dye, Child and Youth Actors: Filmography of Their Entire Careers, 1914–1985. Jefferson, NC: McFarland & Co., 1988, pages 62–64.

Best, Marc. Those Endearing Young Charms: Child Performers of the Screen, South Brunswick: Barnes & Co., 1971, 80–84.