Yellow Letters: Ilker Çatak’s Drama about Turkey’s Political Persecution Wins Golden Bear

İlker Çatak’s ‘Yellow Letters’ Wins Golden Bear for Best Film

The German-Turkish filmmaker accepted the top prize from jury president Wim Wenders.

Yellow Letters
Courtesy of Ella Knorz, If Productions, A La Mode Film

German-Turkish filmmaker İlker Çatak lifted the Golden Bear for his bold film Yellow Letters, a portrait of a married playwright and actress in contemporary Turkey who find themselves targeted by the state for their particular brand of protest theater.

Before presenting it with the prize, jury president Wenders commended the film for “speaking up very clearly about the political language of totalitarianism as opposed to the empathetic language cinema,” and declared it “a terrifying vision into the future.”

The backlash Wenders weathered at the start of a festival for a press conference statement about the role of politics in cinema, in response to a question about the festival’s perceived complicity with the German government’s support of Israel in the ongoing war on Palestine. “We have to stay out of politics because if we make movies that are dedicatedly political, we enter the field of politics. But we are the counterweight of politics, we are the opposite of politics. We have to do the work of people, not the work of politicians.”

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