DGA 2026: ‘One Battle After Another’ Director Paul Thomas Anderson Wins Top Prize; ‘The Pitt,’ ‘The Studio’ Lead TV (Winners List)

The event, honoring the year’s outstanding directorial achievements in film and television, was hosted by Oscar and Emmy-nominated comedian Kumail Nanjiani and took place in Beverly Hills.
The DGA Award for Outstanding Directorial Achievement in Theatrical Film has been one of the most reliable predictors of the Best Director Oscar, which makes the ceremony one of the season’s most closely watched bellwethers for the Oscars race.
In his acceptance speech, Anderson paid tribute to his late assistant director, Adam Somner, who died in 2024.
On the TV side, “The Pitt” won the top dramatic series prize, via helmer Amanda Marsalis for the episode “6:00 PM.” She even beat out “The Pitt” exec producer John Wells, also nominated. In comedy, Seth Rogen and Evan Goldberg picked up the win for their “The Studio” episode “The Oner,” which had also earned them a directing Emmy last September.
Goldberg and Rogen dedicated their win to the late “Studio” star Catherine O’Hara. “We grew up in Canada and she is and was our idol since we were children,” Goldberg said. “She showed you could be an utter genius and the nicest person in the world.”
“SNL50: The Anniversary Special” kicked off the evening’s wins, with director Liz Patrick landing the honors in the variety category. Later, “Dying for Sex” helmer Shannon Murphy won for limited or anthology series, and “Conan O’Brien Must Go’s” Mike Sweeney picked up the win for Reality/Quiz and Game. Netflix’s “Nonnas” won TV movie for director Stephen Chbosky.
This year’s film nominees also mark a historic milestone for representation. It is only the second time in DGA history that a majority of nominees in the organization’s top category hail from underrepresented communities. The first occurred in 2017, when Guillermo del Toro won for “The Shape of Water,” alongside fellow nominees Greta Gerwig (“Lady Bird”), Jordan Peele (“Get Out”), Christopher Nolan (“Dunkirk”) and Martin McDonagh (“Three Billboards Outside Ebbing, Missouri”).
Since its inception, the DGA has correctly predicted the Academy Award winner for best director in all but eight instances. The most recent divergence came in 2019, when Sam Mendes won the DGA Award for the war epic “1917” but lost the Oscar to Bong Joon Ho for the South Korean drama “Parasite,” which also captured best picture. Last year, Sean Baker won the DGA’s top honor for “Anora,” which went on to secure four Academy Awards, including best picture, best director, best original screenplay and best film editing.
When it comes to the broader best picture race, DGA history points to the vital importance of a nomination. Only two films — “Driving Miss Daisy” (1989) and “CODA” (2022) — have won the Academy Award for best picture without receiving a DGA nomination. Meanwhile, six films have claimed the top Oscar prize without earning an Academy Award nomination for directing: “Wings” (1927), “Grand Hotel” (1932), “Driving Miss Daisy,” “Argo” (2012), “Green Book” (2018) and “CODA.”
“Frankenstein” helmer Guillermo Del Toro is the only DGA nominee this year who failed to garner an Oscar nomination, with “Sentimental Value” director Joachim Trier earning the Academy slot instead.
Going into the night, Anderson’s action epic had amassed 35 critics and guild prizes for best picture, including a rare sweep of all four major critics prizes — National Board of Review, Los Angeles Film Critics Association, New York Film Critics Circle and the National Society of Film Critics. Only four films in history have achieved that feat: “Schindler’s List” (1993), “L.A. Confidential” (1997), “The Social Network” (2010) and now, Anderson’s latest. Of those titles, only “Schindler’s List” went on to win the Oscar for best picture. However, in the directing race, Anderson has been equally dominant, with 32 wins to date, while Coogler trails with 19.
In TV, “The Pitt” and “The Bear” led individual series with two nominations each. And “Saturday Night Live” tops all franchises with three noms, via a trio of different “SNL50” entities: The specials “SNL50: The Homecoming Concert” and “SNL50: The Anniversary Special” and the doc series “SNL50: Beyond Saturday Night.”
In addition to competitive awards, the DGA presented two special service honors recognizing exemplary contributions to the guild and the industry. Associate director and stage manager David Charles received the Franklin J. Schaffner Achievement Award, honoring extraordinary service to both the profession and the DGA. Commercials first assistant director Gregory G. McCollum will receive the Frank Capra Achievement Award, given in recognition of notable career achievement and outstanding service to the guild.
“We could not be prouder to recognize the incredible work of this year’s nominees for their dedication to the art of filmmaking,” DGA president Christopher Nolan said in January when announcing the nominees. “On behalf of the entire Guild community, I extend my congratulations to these directors on this achievement, and we look forward to celebrating your work at the DGA Awards.”
The full list of nominees and winners appears below.

Here are this year’s film nominees and winners:
DIRECTORIAL ACHIEVEMENT IN THEATRICAL FEATURE FILM
WINNER: Paul Thomas Anderson, “One Battle After Another” (Warner Bros. Pictures)
Directorial Team:
- Unit Production Manager: Will Weiske
- First Assistant Director: Adam Somner
- Second Assistant Director: Trevor Tavares, Ian Stone
- Second Second Assistant Director: Dominic Pacitti, Rafael Sanz-Jimenez
- Additional Second Assistant Director: Nuekellar Hardy, Chunning Chang, Kit Conners, Kasia Trojak, Tyler Young
Ryan Coogler, “Sinners” (Warner Bros. Pictures)
Guillermo Del Toro, “Frankenstein” (Netflix)
Josh Safdie, “Marty Supreme” (A24)
Chloé Zhao, “Hamnet” (Focus Features)
FIRST-TIME THEATRICAL FEATURE FILM
WINNER: Charlie Polinger, “The Plague” (Independent Film Company)
Hasan Hadi, “The President’s Cake” (Sony Pictures Classics)
Harry Lighton, “Pillion” (A24)
Alex Russell, “Lurker” (Mubi)
Eva Victor, “Sorry, Baby” (A24)
DOCUMENTARY FILM
WINNER: Mstyslav Chernov, “2000 Meters to Andriivka” (PBS)
Geeta Gandbhir, “The Perfect Neighbor” (Netflix)
Sara Khaki and Mohammadreza Eyni, “Cutting Through Rocks” (Assembly Releasing)
Elizabeth Lo, “Mistress Dispeller” (Oscilloscope Laboratories)
Laura Poitras and Mark Obenhaus, “Cover-Up” (Netflix)
Here are this year’s TV nominees and winners:
DRAMATIC SERIES
WINNER: Amanda Marsalis, The Pitt, “6:00 P.M.” (HBO Max)
Directorial Team:
- Unit Production Manager: Michelle Lankwarden
- First Assistant Director: Eric Tignini
- Second Assistant Director: Kevin Zelman
- Second Second Assistant Director: Nicole Jones, Rebecca Rogers, Chloe Huckins
- Additional Second Assistant Director: Michelle Akeley
Liza Johnson, The Diplomat, “Amagansett” (Netflix)
Janus Metz, Andor, “Who Are You?” (Disney+)
Ben Stiller, Severance, “Cold Harbor” (Apple TV+)
John Wells, The Pitt, “7:00 A.M.” (HBO Max)
COMEDY SERIES
WINNER: Seth Rogen and Evan Goldberg, The Studio, “The Oner” (Apple TV+)
Directorial Team:
- Unit Production Manager: Shawn Dyrdahl
- First Assistant Director: Donald Murphy
- Second Assistant Director: Peter Dress
Lucia Aniello, Hacks, “A Slippery Slope” (HBO Max)
Janicza Bravo, The Bear, “Worms” (FX on Hulu)
Christopher Storer, The Bear, “Bears” (FX on Hulu)
Mike White, The White Lotus, “Denials” (HBO Max)





