Cannes Film Fest 2023: Critics Week (62nd Edition)–Lineup

Director Audrey Diwan will preside as jury president over the 2023 edition, which focuses on first and second features from emerging talents.

 

Cannes Critics’ Week, a parallel sidebar selected by the French Syndicate of Cinema Critics, has unveiled its 2023 selection of 11 features, including 7 competition titles and four special screenings.

The section focuses on first and second features from emerging directors.

The 62nd edition runs alongside the main Cannes festival May 17-25.

This year’s competition lineup includes 2 Asian horror movies: the Korean horror film Sleep (Jam) from first-time director, and former Bong Joon Ho assistant, Jason Yu, and Tiger Stripes from Malaysian director Amanda Eu.

The former features Parasite star Lee Sun-kyun and Train to Busan‘s Jung Yu-mi as newlyweds whose lives descend into horror triggered by the husband’s strange behavior while asleep.

Tiger Stripes, which draws inspiration from Southeast Asian folklore, is a coming-of-age tale about a 12-year-old girl whose body starts to change in alarming and horrifying ways as she hits puberty.

Halla, whose short Menarca screened in Cannes Critics’ Week in 2020, developed Power Alley with the support of the Critics’ Week Next Step initiative, a program designed to help filmmakers move from their first shorts to their first feature.
First-Ever Jordanian
Amjad Al Rasheed becomes the first-ever Jordanian director in Critics’ Week with Inshallah a Boy. The drama, which stars Palestinian actress Mouna Hawa (A House in Jerusalem), examines Jordan’s sexist inheritance laws through the story of a woman fighting for her economic survival and independence following the death of her husband.
This is Al Rasheed’s debut feature, after attracting attention with the award-winning short The Parrot, co-directed with Darin J. Sallam.

Also in the Critics’ Week competition are the French psychological thriller Le Ravissement from director Iris Kaltenbäck, featuring Hafsia Herzi as a woman who kidnaps her friend’s newborn baby in an attempt to build a life with a former lover.

The Belgian drama Il Pleut Dans La Maison from director Paloma Sermon-Daï’s about two teenagers left alone in a dilapidated house over the summer holidays; and Lost Country from director Vladimir Perisic, a Serbian drama set against the backdrop of the 1996 student demonstrations in Belgrade against the attempted election fraud by then-President Slobodan Milosevic. Perisic appeared in Critics’ Week in 2009 with Ordinary People.

This year’s poster for Critics’ Week features a scene from Aftersun.

Marie Amachoukeli’s Ama Gloria, a drama about the deep bond between a motherless 6-year-old and her nanny, opens the 2023 Critics’ Week section in a special screening.

Erwan Le Duc’s No Love Lost, starring 120 BPM actor Nahuel Perez Biscayart as a single father raising a daughter (Céleste Brunnquell), will close the section.

Also getting special screening this year is Stéphan Castang’s zombie movie Vincent Must Die and the Belgian romantic comedy The (Exp)erience of Love from directorial duo Ann Sirot and Raphaël Balboni, about a couple struggling to conceive who decide to sleep with their ex-partners.

Audrey Diwan, whose French abortion drama Happening won the Golden Lion at the 2021 Venice Film Festival, will head up te jury, together with German actor Franz Rogowski, Sundance programmer Kim Yutani, Portuguese cinematographer Rui Poças, and Indian journalist Meenakshi Shedde.

The full 2023 Critics’ Week lineup:

COMPETITION

Power Alley (Levante), Lillah Halla

Il Pleut Dans La Maison, Paloma Sermon-Daï

Inshallah a Boy, Amjad Al Rasheed

Lost Country, Vladimir Perisic

Le Ravissement, Iris Kaltenbäck

Tiger Stripes, Amanda Nell Eu

SPECIAL SCREENINGS

Opening Film — Ama Gloria, Maria Amachoukeli

The (Exp)erience of Love, Ann Sirot and Raphaël Balboni

Vincent Must Die, Stéphan Castang

Closing Film — No Love Lost, Erwan Le Duc

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