Oscar Directors: Egoyan, Atom–Background, Career, Awards, Filmography

August 26, 2020

Atom Egoyan Career Summary:

Occupational Inheritance:  No

Social Class: parents furniture store

Nationality: Canadian



Breakthrough: Exotica, 1994; age 34

First Film: Next of Kin, 1984; 24

First Oscar Nomination: Sweet Thereafter, 1997; age 37

Other Nominations: Script

Genre (specialties):

Collaborators: Arsinée Khanjian

Last Film:


Career Output:

Career Span:

Marriage: Arsinée Khanjian, actress


Retirement: NA

Death: MA

Atom Egoyan, CC (born July 19, 1960) is a Canadian stage and film director, writer, and producer. Egoyan made his career breakthrough with Exotica (1994), a film set primarily in and around the fictional Exotica strip club.[6]

Egoyan’s most critically acclaimed film is the drama The Sweet Hereafter (1997), for which he received two Academy Award nominations, and his biggest commercial success is the erotic thriller Chloe (2009).

His work often explores themes of alienation and isolation, featuring characters whose interactions are mediated through technology, bureaucracy, or other power structures. Egoyan’s films follow non-linear plot structures, in which events are placed out of sequence in order to elicit specific emotional reactions from the audience by withholding key information.[4]

In 2008, Egoyan received the Dan David Prize for “Creative Rendering of the Past.” Egoyan later received the Governor General’s Performing Arts Award, Canada’s highest royal honor in the performing arts, in 2015.

He was part of a loosely-affiliated group of filmmakers to emerge in the 1980s from Toronto known as the Toronto New Wave.

Egoyan was born Atom Yeghoyan (Western Armenian: Աթոմ Եղոյեան) in Cairo, Egypt, the son of Shushan (née Devletian) and Joseph Yeghoyan, artists who operated a furniture store. His parents were Armenian-Egyptians, and he was named Atom to mark the completion of Egypt’s first nuclear reactor.[13][14] In 1962, the family moved to Canada, where they settled in Victoria, British Columbia and changed their last name to Egoyan. Atom grew up in British Columbia with his sister, Eve, now a concert pianist based in Toronto.

As a teenager, he became interested in reading and writing plays. Significant influences included Samuel Beckett and Harold Pinter. Egoyan also attributes his future in the film industry to Ingmar Bergman’s Persona, which he viewed at age fourteen, according to an interview he had with Robert K. Elder for The Film That Changed My Life: It gave me an incredible respect for the medium and its possibilities. To me, Persona marries a pure form and a very profound vision with absolute conviction. It’s very inspiring. I felt that it was able to open a door that wasn’t there before.

He graduated from Trinity College at the University of Toronto. It was at Trinity College that Egoyan came into contact with Harold Nahabedian, the Armenian-Canadian Anglican Chaplain of Trinity College. In interviews Egoyan credited Nahabedian for introducing him to the language and history of his ethnic heritage. Egoyan also wrote for the University of Toronto’s independent weekly, The Newspaper, during his time at the school.

Egoyan began making films in the early 1980s; his debut film Next of Kin (1984) world-premiered at the International Filmfestival Mannheim-Heidelberg and won a major prize. His commercial breakthrough came with the film Exotica (1994). He received the Grand Prix (Belgian Film Critics Association) in Brussels, the FIPRESCI Jury Prize at the Cannes Film Festival, and Best Motion Picture at the Canadian Screen Awards (then called the Genie Awards).

However, it was Egoyan’s first attempt at adapted material that resulted in his best-known work, The Sweet Hereafter (1997), which earned him 3 prizes at the 50th Cannes Film Fest—the Grand Prix, the FIPRESCI Jury Prize, and the Prize of the Ecumenical Jury. The film also earned Egoyan Academy Award nominations for Best Director and Best Adapted Screenplay.[17]

The film Ararat (2002) generated publicity for Egoyan. After Henri Verneuil’s French-language film Mayrig (1991), it was the first major motion picture to deal directly with the Armenian Genocide. Ararat later won the award for Best Motion Picture at the Canadian Screen Awards, marking his third win. The film was released in over 30 countries around the world.

In 2004, Egoyan opened Camera Bar, a 50-seat cinema-lounge on Queen Street West in Toronto.[19]

Beginning in September 2006, Egoyan taught at the University of Toronto for three years.[20] He joined the Faculty of Arts and Science as the Dean’s Distinguished Visitor in theatre, film, music, and visual studies. He subsequently taught at Ryerson University.[21] In 2006, he received the Master of Cinema Award of the International Filmfestival Mannheim-Heidelberg.

In 2009, he directed the erotic thriller Chloe, which was theatrically released by Sony Pictures Classics on March 26, 2010. This film grossed $3 million in box office sales in the United States and became one of the higher-grossing specialty films of the year in the United States.[22] Several months after the DVD/Blu-ray release of Chloe, Egoyan said that Chloe had made more money than any of his previous films.[8][9] The success of Chloe led Egoyan to receive many scripts of erotic thrillers.[23]

In 2012, he directed a production of Martin Crimp’s Cruel and Tender, starring Khanjian, at Canadian Stage in Toronto.

After the release of the West Memphis Three from 18 years in prison, Egoyan directed a movie about the case called Devil’s Knot (2013) starring Reese Witherspoon and Colin Firth, based on a book, Devil’s Knot: The True Story of the West Memphis Three by Mara Leveritt. His next feature, The Captive (2014), starred Ryan Reynolds and screened in competition for the Palme d’Or at the 2014 Cannes Film Festival,[25] where it received largely negative reviews from critics.[26] Justin Chang from Variety described the film as “a ludicrous abduction thriller that finds a once-great filmmaker slipping into previously un-entered realms of self-parody.”[27]

In 2015, Egoyan directed the thriller Remember, which starred Christopher Plummer and premiered at the Toronto International Film Festival in September, before being given a limited release in theatres.[28] His latest film is the drama Guest of Honour, was nominated for a Golden Lion in competition in Venice in 2019, had a Special Presentation at the Toronto International Film Festival, and opening night galas in Vancouver and Montreal.

Egoyan is based in Toronto, where he lives with his wife Arsinée Khanjian, a trilingual (English, French and Armenian) Armenian-Canadian actress who appears in many of Egoyan’s films, and their son, Arshile (named after the Armenian-American painter Arshile Gorky).

In 1999, Egoyan was made an Officer of the Order of Canada, it was later upgraded to Companion of the order in 2015, the highest level of the honour. In 2009, he won the ‘Master of Cinema’ award from the Mannheim Film Festival, 25 years after receiving his international festival premiere at the same event. Egoyan was presented with the Lifetime Achievement Award at the International Film Festival of India in 2017.[29]


1984 Next of Kin Won prizes at International Filmfestival Mannheim-Heidelberg. Nominated for Best Direction Genie Award. First met Arsinée Khanjian
1987 Family Viewing Won the Prize of the Ecumenical Jury at Locarno International Film Festival (1988)
1989 Speaking Parts Best Motion Picture nomination, including five others, at the 1989 Genie Awards
1991 The Adjuster Won the Special Silver St. George at the 17th Moscow International Film Festival,[30] Best Canadian Film and Best Ontario Picture at Cinefest Sudbury (1991)
1993 Calendar Won the Special Jury Prize at Taormina Film Festival (1993)
1994 Exotica Won the FIPRESCI Prize at Cannes.[31]
1997 The Sweet Hereafter Won Grand Prize of the Jury, FIPRESCI Jury and Ecumenical Jury Prizes at Cannes.
1999 Felicia’s Journey Won the Best Adapted Screenplay at Genie Awards (2000)
2002 Ararat Won Best Motion Picture at the 2003 Genie Awards; also won Genies for costume design and original score; in addition, Arsinée Khanjian won the best actress award and Elias Koteas best supporting actor at the 2003 Genie Awards. Also won the Writers Guild of Canada award in 2003.
2005 Where the Truth Lies Won the Best Adapted Screenplay at Genie Awards (2006)
2008 Adoration Won the Prize of the Ecumenical Jury at Cannes Film Festival (2008), Best Canadian Feature Film – Special Jury Citation at Toronto International Film Festival (2008).
2009 Chloe Nominated for the DGC Craft Award at the Directors Guild of Canada (2010)
2013 Devil’s Knot Nominated for the Best Film Golden Seashell Award at San Sebastian International Film Festival (2013)
2014 The Captive Palme d’Or nomination at Cannes Film Festival (2014)
2015 Remember Won the Vittorio Veneto Film Festival Award – Venice Film Festival (2015)
2019 Guest of Honor Nominated for the Golden Lion (Leone d’Oro) at the Venice Film Festival, opening nights at the Vancouver International Film Festival and the Festival du nouveau cinéma

TV films
In This Corner (1986)
Gross Misconduct (1993)
Sarabande (1997)
Krapp’s Last Tape (2000)

Short films
Howard in Particular (1979)
After Grad with Dad (1980)
Peep Show (1981)
Open House (1982)
Men: A Passion Playground (1985)
Looking for Nothing (1988)
Montreal Stories (Montréal vu par…) (1991)
segment: En passant (In Passing)
A Portrait of Arshile (1995)
The Line (2000)
Diaspora (2001)
Chacun son cinéma / To Each His Own Cinema (2007)
segment: Artaud Double Bill
Venezia 70 Future Reload (2013)
segment: Butterfly
Festival du Nouveau Cinéma (2014)
segment: L’Apparition (d’après René Magritte)
Documentary films
Citadel (2003)