Oscar Actors: Larson, Brie–Background, Career, Awards (Cum Advantage)

 

Brianne Sidonie Desaulniers (born October 1, 1989), known professionally as Brie Larson, is noted for her supporting work in comedies when a teenager. She has since expanded to leading roles in independent dramas and film franchises, receiving such accolades as an Oscar Award.

Time magazine named her one of the 100 most influential people in the world in 2019.

Born in Sacramento, California, Larson was homeschooled.

At age six, she became the youngest student admitted to a training program at the American Conservatory Theater.

She relocated to Los Angeles and began her acting career in 1998 with a comedy sketch on The Tonight Show with Jay Leno.

She appeared as a regular in the 2001 sitcom Raising Dad and briefly dabbled with a music career, releasing the album Finally Out of P.E. in 2005. Larson subsequently played supporting roles in the comedy films Hoot (2006), Scott Pilgrim vs. the World (2010), and 21 Jump Street (2012), and appeared as a sardonic teenager in the television series United States of Tara (2009–2011).

Larson’s breakthrough came with a leading role in the acclaimed indie drama Short Term 12 (2013).

She continued to take on supporting parts in the romance The Spectacular Now (2013) and the comedy Trainwreck (2015).

For playing a kidnapping victim in the drama Room (2015), Larson won the Best Actress Oscar.

The 2017 adventure film Kong: Skull Island marked her first big-budget release, after which she starred as Carol Danvers in the 2019 Marvel Cinematic Universe superhero films Captain Marvel and Avengers: Endgame.

Larson has also co-written and co-directed two short films, including The Arm (2012), which received special jury prize at the Sundance Film Fest. She made her feature film directorial debut in 2017 with the indie comedy-drama Unicorn Store. A gender equality activist and an advocate for sexual assault survivors, Larson is vocal about social and political issues.

Larson was born Brianne Sidonie Desaulniers on October 1, 1989, in Sacramento, California, to Heather (Edwards) and Sylvain Desaulniers. Her parents were homeopathic chiropractors who ran a practice together, and they have another daughter, Milaine.

Her father is French Canadian, and in her childhood, Larson spoke French as her first language. She was mostly homeschooled, which she believed allowed her to explore innovative and abstract experiences.

Describing her early life, Larson has said that she was “straight-laced and square,” and that she shared a close bond with her mother but was shy and suffered from social anxiety.

During the summer, she would write and direct her own home movies in which she cast her cousins and filmed in her garage.

At age six, she expressed interest in becoming an actress, later remarking that the “creative arts was just something that was always in me.”

That same year, she auditioned for a training program at the American Conservatory Theater in San Francisco, where she became the youngest student admitted.

Larson experienced trauma when her parents divorced when she was seven.

She had a dysfunctional relationship with her father: “As a kid I tried to understand him and understand the situation. But he didn’t do himself any favors. I don’t think he ever really wanted to be a parent.”

Soon after their split, Heather relocated to Los Angeles with her two daughters to fulfill Larson’s acting ambition. They had limited financial means and lived in a small apartment near Hollywood studio lots at Burbank.

Larson described her experience, “We had a crappy one-room apartment where the bed came out of the wall and we each had three articles of clothing. Larson has recounted fond memories of that period and has credited her mother for doing the best she could for them.

As her last name was difficult to pronounce, she adopted the stage name Larson from her Swedish great-grandmother as well as an American Girl doll named Kirsten Larson that she received as a child.

Her first job was performing a commercial parody for Barbie, named “Malibu Mudslide Barbie”, in a 1998 episode of The Tonight Show with Jay Leno.

She subsequently took guest roles in several TV series, including Touched by an Angel and Popular.

In 2000, she was cast in the Fox sitcom Schimmel, which was canceled before airing when its star, Robert Schimmel, was diagnosed with cancer.

“I was so insecure and so hard on myself back then. But there was a moment when I started doing the math. It took me two hours to get ready every day—hair and makeup, so many clothes, trying to make sure everything matched really well—and I had this intense epiphany. I realized how much time I was spending getting ready for life—I wasn’t actually living it. It was the most terrified I’ve ever been in my life. So I went in the exact opposite way.”—Larson recalling her early career, in 2015

Larson’s first major role came as Emily, the younger daughter of Bob Saget’s character, in the WB sitcom Raising Dad, which aired for one season during the 2001–2002 television schedule.

She was next hired for the ABC sitcom “Hope & Faith,” but she and other cast members were replaced after an unaired pilot.

In 2003, she starred alongside Beverley Mitchell in the Disney Channel movie Right on Track, based on the junior drag race star sisters Erica and Courtney Enders, and played minor roles in the 2004 comedies Sleepover and 13 Going on 30.

Larson developed interest in music at age 11 when she learned to play the guitar. A music executive encouraged her to write her own songs, and she began self-recording and uploading tracks to her own website. After failing to get cast as Wendy Darling in the 2003 film Peter Pan, Larson penned and recorded a song named “Invisible Girl”, which received airplay on KIIS-FM.

She signed a recording deal with Tommy Mottola of Casablanca Records; she and Lindsay Lohan were the only artists signed by the label at that time.

In 2005, she released the album Finally Out of P.E., in which she also co-wrote songs with other songwriters, including Blair Daly, Pam Sheyne, Lindy Robbins, and Holly Brook.

She named it after a gym teacher she disliked and has said that the songs she wrote were mostly about failed job opportunities. One of her singles, “She Said”, was featured in the MTV series Total Request Live, was listed by Billboard in their weekly listings of the most-played videos in the channel, and peaked at number 31 on the Billboard Hot Single Sales.

Larson went on tour with Jesse McCartney for Teen People’s “Rock in Shop” mall concerts, opened for him during his Beautiful Soul tour, and also performed in New York City at the Macy’s Thanksgiving Day Parade. Even so, the album was not a success, selling only 3,500 copies. Larson later admitted to being disillusioned with her music career, saying, “I wanted to write all my own songs, and [the recording company] were afraid of that. I wanted to wear sneakers and play my guitar—they wanted heels and wind blown hair.”

In 2006, Larson was cast alongside Logan Lerman and Cody Linley in the comedy film Hoot, about young vigilantes trying to save a group of owls. It received poor reviews.

She had a small part in the Amber Heard-starring drama Remember the Daze.

She launched an arts and literature magazine, named Bunnies and Traps, for which she wrote her own opinion columns and accepted submissions from other artists and writers. Larson has said that she frequently considered giving up acting at that time, as she found it difficult to find much work, blaming it on filmmakers’ inability to typecast her. She was particularly discouraged when she lost out on key roles in the films Thirteen (2003) and Juno (2007). To support herself, Larson worked as a club DJ.

In 2009, Larson began playing Kate Gregson, the sardonic teenage daughter of Toni Collette’s character, coping with her mother’s dissociative identity disorder, in the Showtime comedy-drama series United States of Tara. Portia Doubleday was initially cast in the role but was replaced with Larson after filming the pilot episode.

Her character’s journey to find meaning in life mirrored that of her own, and she was upset when the show was canceled after three seasons in 2011.

Also in 2009, she starred alongside Rooney Mara in Tanner Hall, a coming-of-age film about four girls in boarding school.

In her two other film releases that year, she played a scatterbrained cheerleader in House Broken and a popular high schooler in Just Peck.

At the Williamstown Theatre Festival in 2010, Larson appeared in stage production of Thornton Wilder’s play Our Town. Directed by Nicholas Martin, it featured her in the role of Emily Webb, a precocious young girl.

In film, she featured in Noah Baumbach’s comedy-drama “Greenberg” and Edgar Wright’s comedy Scott Pilgrim vs. the World.

These films helped raise her profile, and Larson has said that the latter film, in which she played a rock star named Envy, marked a turning point in her career. In it, Larson performed the song “Black Sheep” with the band Metric.

Although it did not do well commercially, Scott Pilgrim vs. the World has since developed a cult following.

She next played the troubled daughter of a corrupt cop (played by Woody Harrelson) in the drama Rampart (2011), an emotionally intense part she found herself unable to detach from.[56] A confrontation scene between Harrelson and her proved upsetting for her; the director was surprised by how well it turned out and tweaked the script to further explore the father-daughter relationship.

In 2012, Larson expanded into filmmaking by co-writing and co-directing the short film The Arm with Jessie Ennis and Sarah Ramos. The film, about societal expectations in the near future, won special jury prize at the Sundance Film Fest.

She featured as a seductive teenager in the critically panned drama The Trouble with Bliss, after which she played Molly, a high school student, in 21 Jump Street, an adaptation of the 1980s police procedural TV series, co-starring Jonah Hill and Channing Tatum. Larson found her acting style to be more rigid than Hill’s approach and was challenged by scenes that required improvisation.

With worldwide earnings of over $200 million, 21 Jump Street was Larson’s most widely seen film to that point.

Following an appearance in the sitcom Community, Larson collaborated with Dustin Bowser to co-write and co-direct Weighting (2013), a short about strained relationship, which was screened at South by Southwest.

Larson’s breakthrough came in the same year when she starred in Destin Daniel Cretton’s critically acclaimed indie Short Term 12, which marked the first leading role of her career.

Set in a group home for troubled teenagers, the film featured her as Grace, the emotionally distressed supervisor of the institution. To prepare, Larson interacted with staff in a children’s home and watched online interviews of people with similar jobs. The film had production budget of under $1 million, and she was pleased with its intimate and collaborative work environment.

Larson’s performance was acclaimed: she received nomination for the Independent Spirit Award for Best Female Lead; she later remarked that the film prompted directors to offer her wide variety of parts, but she turned down roles of the unidimensional love interest.

In 2013, Larson had supporting roles in two romantic dramas, Don Jon and The Spectacular Now. In the former, written and directed by Joseph Gordon-Levitt, she played the sister of Don Jon (played by Gordon-Levitt).

In The Spectacular Now, starring Miles Teller and Shailene Woodley, she was cast as Cassidy, the ex-girlfriend of Teller’s character. Larson was drawn to the project due to the realism she found in its depiction of high school experiences.[68] Writing for New York magazine, David Edelstein called upon viewers to admire “the shading and intelligence she brings to Cassidy”.

The 2014 crime drama The Gambler, based on the 1974 film of the same name, featured Larson as a literature student who has an affair with her professor (played by Mark Wahlberg), a gambling addict. The director Rupert Wyatt felt that the role was underwritten and cast Larson to lend heft to it.

Larson had 3 film releases in 2015. Her first was in Digging for Fire, a largely improvised ensemble comedy-drama featuring Jake Johnson in the lead role. Filming took place without a script and Larson made several on-set decisions regarding her character’s choices, including the removal of a planned romantic subplot involving her and Johnson.

She next played the sister of Amy Schumer’s character in the comedy Trainwreck, loosely based on Schumer’s own life. Larson modeled her role on Schumer’s sister, who served as associate producer on the film. Trainwreck earned over $140 million against a $35 million budget.

Following the success of Room, Larson played a leading role in Free Fire (2016), an action-comedy about shootout in a warehouse. She agreed to the project to bring attention to gun violence. Commercially, the film failed to recoup its $7 million investment.

Cut from Solomndz

She had filmed a part in Todd Solondz’s comedy Wiener-Dog, but it was cut out when Solondz found her character inessential to the story.

Larson starred in the second installment of the MonsterVerse franchise, entitled Kong: Skull Island, co-starring Tom Hiddleston and Samuel L. Jackson. Filmed in Vietnam, the film featured her as a photojournalist in the 1970s. It marked her first big-budget project, and though she was glad to play a role not defined by her looks, she bemoaned the lack of female co-stars. Kong: Skull Island was a commercial success, earning over $566 million worldwide.

In 2017, Larson portrayed Jeannette Walls in The Glass Castle, an adaptation of Walls’ memoir, which reunited her with Destin Daniel Cretton. It tells the story of a young woman’s relationship with her nonconformist parents (played by Woody Harrelson and Naomi Watts).[98] Larson was attracted to the complex depiction of a parent-child relationship and identified with its theme of forgiveness. She collaborated closely with Walls and her siblings and observed their mannerisms.[99] Peter Bradshaw of The Guardian disliked the film’s sentimentality but noted that “it is saved, just a little, by the robustness of Brie Larson’s presence”.[100] Also poorly received was the India-set musical romance Basmati Blues, a project she had filmed back in 2013, which received criticism on social media for its white savior narrative.[101][102] The 2017 Toronto International Film Festival marked the release of Larson’s feature film directorial debut, the comedy-drama Unicorn Store, in which she also starred.[103] It was later picked for digital distribution by Netflix in 2019.[104] She played a disillusioned art student fascinated with unicorns.

Larson had unsuccessfully auditioned in 2012 to star in the film when Miguel Arteta was attached to direct. After the production was stalled, Larson was offered to direct and star in it. She was drawn towards the fanciful narrative and found connection between her character’s journey and her experience as a director.

After a year-long absence from the screen, Larson starred as Carol Danvers/ Captain Marvel in the Marvel Cinematic Universe superhero film Captain Marvel (2019), which marked Marvel Studios’ first female-led film.[108][109] Though initially skeptical about taking on such a high-profile role, she agreed after viewing it as a platform to empower young women and found a connection with the character’s flaws and humanity.[2][110] In preparation for the role, she undertook judo, boxing, and wrestling training for nine months, and interacted with service personnel at the Nellis Air Force Base.

Larson reprised her role in Avengers: Endgame, which she had filmed before Captain Marvel.[116] Endgame earned $2.79 billion worldwide to rank as the highest-grossing film of all time, and Captain Marvel became the first female-led superhero film to collect over $1 billion worldwide.[117][118] Also that year, she teamed with Destin Daniel Cretton for the third time in Just Mercy, based on Bryan Stevenson’s memoir about death row inmate Walter McMillian’s wrongful conviction, starring Michael B. Jordan and Jamie Foxx. She agreed to take on the supporting part of Eva Ansley, an advocate for the Equal Justice Initiative.

Larson has committed to reprise her role as Danvers in a sequel to Captain Marvel.[121] She also has three upcoming projects for streaming television. She will serve as the producer and star as Victoria Woodhull, the first female presidential candidate in American history, in an eponymous biopic produced by Amazon Studios.[122] Larson will also star in an Apple TV+ drama series based on the life of CIA officer Amaryllis Fox, and the Netflix film Lady Business, about challenges faced by female entrepreneurs.[104][123]

Advocacy

Larson is a gender equality activist and an advocate for sexual assault survivors.[124] She uses her celebrity to speak on political and social issues, saying, “I’d put it all on the line and be an activist for the rest of my life because it doesn’t feel right to me to be quiet”.[125][126][127] Following a performance by Lady Gaga at the 88th Academy Awards, in which several survivors of sexual abuse appeared with the singer, Larson hugged all of them as they exited the stage.[128] At the following year’s ceremony, Larson presented Casey Affleck with the Best Actor Award, but due to sexual harassment allegations against him in the past, she did not clap for him during a standing ovation from the audience; however, she did hug him; she later stated that her action spoke for itself.[126] In 2018, she collaborated with 300 women in Hollywood to set up the Time’s Up initiative to protect women from harassment and discrimination.[129] In the same year, she became one of the first actors to incorporate an inclusion rider provision in her film and press tour contracts.[110] In an interview with Marie Claire, Larson spoke about diversity among film critics and journalists as she found them to be “overwhelmingly white male” and supported inclusivity.

In 2014, Larson teamed with Alia Penner to launch Women of Cinefamily, a monthly program to bring attention to films directed by and starring women, for the non-profit cinematheque Cinefamily, in which Larson served as an advisory board member.[6][133] Following allegations of sexual assault against two of the company’s male executives, she issued a statement in support of the victims and asked for action to be taken against the men.[134][135] Larson became a member of the Academy of Motion Picture Arts and Sciences in 2016, and was later among the finalists for the organization’s board of governors.[136][137] In 2017, she was one of several celebrities to raise funds for the Motion Picture & Television Fund, a charity that offers assistance to elderly members of the industry, and co-hosted an event for the Women in Film organization, during which she urged filmmakers to be vocal against the presidency of Donald Trump.[138][139] She took part in the Women’s March on Washington and criticized Trump’s policies on transgender rights.[140][141] At the Women in Film Crystal + Lucy Awards in 2018, where she was honored, Larson bemoaned the lack of diversity among film reporters and called for better representation of minority voices in film criticism.[142] She announced a 20 percent quota for underrepresented journalists at the Sundance and Toronto International Film Festival.[143] In 2019, Larson served as a guest editor for Stylist magazine, and used the platform to bring attention to diversity and social inclusion.[144] At the Women in the World Annual Summit, she spoke against the gender pay gap in Hollywood.[145] Also in 2019, Variety honored her for her work with the Equal Justice Initiative.[146] In 2020, Larson endorsed the defund the police movement.[147]

Larson is reticent about discussing her personal life and declines to answer questions in interviews that make her uncomfortable. When asked about her desire to be private, she fears being judged for her flaws and has added that the privacy allows her to play a wide variety of roles without being typecast. Larson began dating Alex Greenwald, a musician and lead singer of the band Phantom Planet in 2013, and they were engaged from 2016 to 2019.  The couple lived together in Hollywood Hills. She had credited Greenwald for creating a safe space for her and for empowering her to take risks in her work.

Larson  is interested in films that illustrate the “human condition” and which “make people feel more connected to themselves [and] the rest of the world”. She is drawn to roles that differ from her own personality and which involve themes of social activism

Fan Zhong of W magazine has identified a theme of “sex appeal, inner torment, and a quick, playful wit” in her characters.

Lenny Abrahamson, who directed Larson in Room, believes that her craft has “none of that showy intensity that sometimes gets all the attention” and that her “awareness of tougher lives” empowers her performances.

Destin Daniel Cretton, who directed her in Short Term 12 and The Glass Castle, has praised her ability to improvise, saying, “I never know what’s going to happen, and often she doesn’t know what’s going to happen.”

Larson maintains an active social media presence and uses it as a platform to share opinions and posts that she writes herself. In 2020, she started her own YouTube channel.[155] She was featured by Forbes in their 30 Under 30 list of 2016 and was included by People magazine in their annual beauty list in 2016 and 2019.[156][157][158] In 2018, she was named among the best American actors under 30 by IndieWire.[159] In 2019, Madame Tussauds New York unveiled a wax statue of Larson as Captain Marvel.[160] In the same year, Time magazine named her one of the 100 most influential people in the world.

Larson’s most critically acclaimed and commercially successful films are:

Scott Pilgrim vs. the World (2010), 21 Jump Street (2012), Short Term 12 (2013), Don Jon (2013), The Spectacular Now (2013), Trainwreck (2015), Room (2015), Kong: Skull Island (2017), Captain Marvel (2019), and Avengers: Endgame (2019).

She has received an Oscar, a Screen Actors Guild Award, and a British Academy Film Award for her performance in Room