Oscar Actors: Basinger, Kim (Winner)–Background, Career, Awards

Kimila Ann Basinger (born Dec 8, 1953) is an American actress, singer, and former fashion model.

After successful modeling career in New York, Basinger moved to Los Angeles where she began acting career on TV in 1976. She starred in several made-for-TV films, and a remake of From Here to Eternity (1979), before making her feature debut in the drama Hard Country (1981).

Hailed as a sex symbol of the 1980s and 1990s, Basinger came to prominence for her performance as Bond girl Domino Petachi in Never Say Never Again (1983).

She subsequently appeared in The Natural (1984), starred in the erotic drama 9½ Weeks (1986), and played Vicki Vale in Tim Burton’s Batman (1989), which remains the highest-grossing film of her career.

For her femme fatale portrayal in L.A. Confidential (1997), Basinger won the Best Supporting Actress Oscar.

Her other films include No Mercy (1986), Blind Date (1987), Prêt-à-Porter (1994), I Dreamed of Africa (2000), 8 Mile (2002), The Door in the Floor (2004), Cellular (2004), The Sentinel (2006), Grudge Match (2013), and Fifty Shades Darker (2017).

Basinger was born in Athens, Georgia, on December 8, 1953. Her mother, Ann Lee (née Cordell; 1925–2017), was a model, actress and swimmer who appeared in several Esther Williams films.

Her father, Donald Wade Basinger (1923–2016), was a big band musician and loan manager; as a U.S. Army soldier, he landed in Normandy on D-Day.

The middle of five children, she has two older brothers, Skip (b. 1950) and Mick (b. 1951), and two younger sisters, Barbara (b. 1956) and Ashley (b. 1959). Basinger’s ancestry includes English, German, Swedish, and Ulster Scots. She was raised a Methodist.

Basinger has described herself as shy, which had a major effect during her childhood and young adulthood. Her shyness was so extreme that she would faint if asked to speak in class.

Basinger studied ballet from age three to her mid-teens. By her mid-teens, she grew in confidence and successfully auditioned for the school cheerleading team.

At 17, she entered America’s Junior Miss Scholarship Pageant, won at the city level and was crowned Athens Junior Miss. While she didn’t win at the state level, her beauty was profiled in the national program. She had competed at the state level for the Breck Scholarship and was featured in ad for Breck in joint portrait with her mother.

Basinger was offered modeling contract with the Ford Modeling Agency, but turned it down in favor of singing and acting, and enrolled at the University of Georgia.

She soon reconsidered and went to New York to become a Ford model. Despite earning US$1,000 a day, Basinger never enjoyed modeling: “It was very hard to go from one booking to another and always have to deal with the way I looked. I couldn’t stand it. I felt myself choking.” Even as a model, when others relished looking in the mirror before appearing, she abhorred it and would avoid mirrors out of insecurity.

Basinger appeared on the cover of magazines and in hundreds of ads in the early 1970s, notably as the Breck Shampoo girl. She alternated between modeling and attending acting classes at the Neighborhood Playhouse, as well as performing in Greenwich Village clubs as a singer.

Basinger is an alumna of the William Esper Studio for the performing arts in Manhattan, NYC.

In 1976, after five years as cover girl, Basinger quit modeling and moved to Los Angeles to act. She made guest appearances on a TV shows such as McMillan & Wife and Charlie’s Angels, turning down a regular role in the latter series that eventually went to Cheryl Ladd.

Her first starring role was a made-for-TV movie, Katie: Portrait of a Centerfold (1978), in which she played a small town girl who goes to Hollywood to become an actress and winds up becoming a famous centerfold for a men’s magazine.

In 1979, she co-starred with Natalie Wood, William Devane and Steve Railsback in the miniseries remake of From Here to Eternity, reprising her role as prostitute Lorene Rogers in a 13-episode spinoff that aired in 1980.

In 1981, Basinger posed for nude pictorial for Playboy, and made her feature debut in the critically well-received but little-seen rural drama Hard Country, which she followed with the Charlton Heston-directed outdoorsy adventure Mother Lode (1982).

Her 1981 Playboy shoot was not published until 1983, when Basinger used it to promote her breakthrough role as the Bond girl Domino Petachi in Never Say Never Again (1983), starring opposite Sean Connery. In his review of the film, Gary Arnold of The Washington Post said Basinger “looks like a voluptuous sibling of Liv Ullmann and has a certain something.” Never Say Never Again grossed US$160 million.

Basinger said her subsequent Playboy appearance led to further opportunities, such as the role of the romantic interest of baseball team star in Barry Levinson’s The Natural (1984), alongside Robert Redford.

Blake Edwards cast her twice: as beautiful woman married to a Texas millionaire in The Man Who Loved Women (1983), and as shy woman who goes on a date with a workaholic man in Blind Date (1987).

Robert Altman cast Basinger as a woman hiding from her former lover at an old motel in Fool for Love (1985).

In 1986, Basinger starred as a New York art gallery employee who has brief yet intense affair with a mysterious Wall Street broker, opposite Mickey Rourke, in Adrian Lyne’s controversial erotic romantic drama 9½ Weeks. Though the film failed at the U.S. box office, it performed well in Europe, especially France, and acquired a large American fanbase on home video and cable.

Writer-director Robert Benton cast her in the title role of a slightly pregnant woman in trouble for Nadine (1987).

While most of the Basinger films were released to varying degrees of success, they helped establish her as an actress. With over US$400 million in box office totals, the highest-grossing film of her career was Tim Burton’s 1989 Batman, in which Basinger played photojournalist Vicki Vale, opposite Michael Keaton (Batman) and Jack Nicholson (Joker).

After the success of Batman, Basinger played a glamorous singer, alongside Alec Baldwin, in the comedy The Marrying Man (1991), and starred with Richard Gere, as a woman romantically involved with her sister’s psychiatrist, in the neo-noir Final Analysis (1992). Both films were moderate box office returns.

In 1992, Basinger was guest vocalist on a re-recorded version of Was (Not Was)’s “Shake Your Head”, which featured Ozzy Osbourne on vocals, and reached the UK Top 5, and starred in what marked her only voice-acting project to date, Cool World, directed by Ralph Bakshi, as cartoon bombshell who longs to become a real woman.

In 1993, Basinger played a woman recently released from prison in the crime film The Real McCoy, and a woman named Honey Hornée in the comedy Wayne’s World 2.

In 1994, she reunited professionally with Baldwin for the thriller The Getaway, in which she portrayed the wife of a former con, and with director Robert Altman for the comedy Prêt-à-Porter, as a breathlessly dim-witted cable reporter. Amid financial issues, Basinger went into hiatus from the screen by the mid-1990s.

She made a comeback as the high-class hooker in Curtis Hanson’s neo-noir L.A. Confidential (1997), alongside Guy Pearce and Russell Crowe. She initially turned down the film twice, feeling insecurity at returning to the screen and enjoying motherhood.

The role earned her the Best Supporting Actress, as well as the Screen Actor’s Guild Award. She holds the distinction of being the only actress who has both posed nude in Playboy and won an Oscar. In 2000 interview with Charlie Rose, Basinger said that L.A. Confidential and her next film, I Dreamed of Africa (2000), were the most pleasurable of her career.

2000s
In I Dreamed of Africa, Basinger portrayed writer and environmentalist Kuki Gallmann, with Vincent Pérez. The film was described as “passion project” for her, and she said that she “cried for hours” when she had to leave Kenya, where filming took place. Budgeted at US$50 million, I Dreamed of Africa got 10 percent rating on RT, and only pulled in US$14 million at the worldwide box office.

Curtis Hanson cast her again, this time as alcoholic mother of aspiring rapper, in 8 Mile (2002), opposite Eminem and Brittany Murphy. The film appeared on many top ten lists of the year, and was a commercial success, grossing US242.9 million worldwide.

Basinger starred as the wife of a children’s book author, with Jeff Bridges and Jon Foster, in The Door in the Floor (2004), a drama with sexual themes adapted from the novel A Widow for One Year by John Irving. The film found  limited audience in theaters.

Basinger appeared in two crime thrillers—Cellular (2004) and The Sentinel (2006).

In Cellular, opposite Chris Evans and Jason Statham, she played a wealthy high school biology teacher taken hostage in her home.

In The Sentinel, Basinger portrayed the First Lady of the US, opposite Michael Douglas, Kiefer Sutherland and Eva Longoria. Despite mixed reviews, the film made US$78.1 million globally.

In 2006, Basinger starred in the Lifetime film The Mermaid Chair, as a married woman who falls in love with a Benedictine monk and experiences self-awakening.

Basinger then played a mother having extramarital affairs in Guillermo Arriaga’s feature debut The Burning Plain (2008), a drama narrated in a hyperlink format, opposite Charlize Theron and Jennifer Lawrence.

In 2008, Basinger produced and starred in the indie thriller While She Was Out, a female revenge tale, as a suburban housewife forced to fend for herself when she becomes stranded in a desolate forest with four murderous thugs.

The Informers (2009), which was written by Bret Easton Ellis, premiered at the Sundance Fest. Basinger starred as the chronically depressed wife of jaded film executive (played by Billy Bob Thornton).

2010s
Basinger played the mother of a young man who made a promise to his deceased brother, with Zac Efron, in the supernatural drama Charlie St. Cloud (2010), based on the 2004 best-selling novel The Death and Life of Charlie St. Cloud by Ben Sherwood.

Basinger returned to Africa for the 2012 Nigerian drama Black November, about a Niger Delta community’s struggle to save their environment, which was being destroyed by excessive oil drilling. As part of an ensemble cast (which included her 9½ Weeks co-star Mickey Rourke), she played a kidnapped reporter.

Basinger played a wife in two 2013 films —the indie drama Third Person, with Liam Neeson and Olivia Wilde, and the sports comedy Grudge Match, with De Niro and Sylvester Stallone.

She played a mother in the indie drama 4 Minute Mile (2014) and a woman who, after a miscarriage, sets out on a dangerous quest to obtain a child in the likewise indie production The 11th Hour (also 2014), which was released for VOD.

In 2016, she had a brief role, as crooked high-ranking official in the US Department of Justice, in the crime comedy The Nice Guys, alongside Russell Crowe and Ryan Gosling.

Basinger played Elena Lincoln, business partner and former lover of Christian Grey, in the film adaptation of Fifty Shades Darker (2017), the sequel to Fifty Shades of Grey. Despite negative reviews, the film made $381.4 million globally. Basinger reprised the role in the 2018 sequel.

Before she was famous, Basinger dated male model Tim Saunders, photographer Dale Robinette and football player Joe Namath.

On October 12, 1980, she married makeup artist Ron Snyder-Britton, whom she met on the film Hard Country. Basinger developed agoraphobia that same year, following a panic attack in a health-food store, and was housebound for six months. Snyder quit his job during the marriage and changed his surname to Britton after Basinger requested he choose “something with a B” so she could keep the same initials when using her married name. The pair divorced just before Christmas 1989, after which Basinger paid him $9,000 monthly alimony for eight years.

Britton later wrote a memoir, Longer Than Forever, in 1998, about her affair with Richard Gere, with whom she starred in No Mercy (1986) and Final Analysis (1992).

Basinger had romantic relationships with hairdresser-producer Jon Peters and singer Prince, who did the album for Batman and also produced her unreleased 1989 album Hollywood Affair.

She was then involved briefly with fitness trainer Phil Walsh and fashion designer Alexio Gandara.

In 1990, Basinger met her second husband, Alec Baldwin, when they played lovers in The Marrying Man. They married on August 19, 1993, and starred in the 1994 remake of The Getaway. They also played themselves in 1998 episode of The Simpsons, in which Basinger corrected Homer Simpson on the pronunciation of her last name and polished her Oscar statuette. Basinger and Baldwin have a daughter, Ireland Eliesse Baldwin (born October 23, 1995). They separated at the end of 2000 and divorced on September 3, 2002.

In his 2008 book, A Promise to Ourselves: A Journey Through Fatherhood and Divorce, Baldwin chronicled the contentious seven-year custody battle with Basinger over their daughter after their separation, contending that she had spent more than $1.5 million in her efforts to deny him parental access.

After the divorce from Baldwin, Basinger was romantically linked with 8 Mile co-star Eminem, which the rapper denied in a 2002 interview.

In 2014, she began dating Mitch Stone. Like Snyder and Peters before him, Stone met Basinger while doing her hair on movie set. The couple wear matching gold bands and have since moved in together.

Some family members recommended Basinger buy the bulk of the privately owned land in the small town of Braselton, Georgia, 1,691 acres in 1989, for $20 million, to establish it as tourist attraction with movie studios and film festival. However, she encountered financial difficulties and started to sell parts of it off in 1995. The town is now owned by developer Wayne Mason.

Basinger’s financial difficulties were exacerbated when she pulled out of the controversial film Boxing Helena (1993), resulting in the studio’s winning $8.9 million judgment against her. Basinger filed for bankruptcy and appealed the jury’s decision to a higher court, which ruled in her favor. She and the studio settled for $3.8 million instead.

Basinger’s parents were legally married from 1948 to 2016, though they separated in 1980 and had little or no contact for the last 36 years of her father’s life. They never divorced.

Starting in the mid-1990s, Basinger was estranged from her mother, Ann, and all except one of her four siblings. Her father Don and youngest sister Ashley were the only family members invited to her second wedding in 1993, and the only family members she thanked in her acceptance speech at the Oscars in 1998.

Basinger is a vegetarian and an animal rights supporter. She has posed for anti-fur advertisements by PETA, and also filmed a public service announcement on downed farm animals for Farm Sanctuary. She was involved in the gestation of a bill offering protection to diseased and crippled farm animals, which Governor of California Pete Wilson signed. Basinger was interviewed by Samaritan magazine in August 2018 to raise awareness about the inhumane dog meat trade that remains rife in parts of Asia.

After transitioning from modeling to acting in the late 1970s, Basinger has had over fifty credits in film and TV productions.

She won the Oscar Award, a BAFTA Award, a Screen Actors Guild Award, and a Southeastern Film Critics Association Award for Best Supporting Actress in L.A. Confidential (1997).

Basinger received a nomination for the Best Actress Award from the Boston Society of Film Critics, for her role in The Door in the Floor (2004).

Basinger has received 7 nominations for the Razzie Awards —six for Worst Actress and one for Worst Supporting Actress— and has been nominated at the People’s Choice Awards, the Saturn Awards (3 times), and the MTV Movie Awards (4 times).

For her lifetime achievements in the cinematic arts, she has a motion pictures star on the Hollywood Walk of Fame.

Her most acclaimed and highest-grossing films:

Never Say Never Again (1983)
The Natural (1984)
9½ Weeks (1986)
Batman (1989)
The Real McCoy (1993)
The Getaway (1994)
L.A. Confidential (1997)
8 Mile (2002)
The Door in the Floor (2004)
Cellular (2004)
The Sentinel (2006)
Charlie St. Cloud (2010)
The Nice Guys (2016)
Fifty Shades Darker (2017)