Rather than eschew political engagement with democratic theorizing, Huneke asks how queer theory can wed its critically anti-normative impulses to the empirical need for a state.

Saboteur (1942) Hitchcock makes his trademark cameo appearance about an hour into the film (1:04:37), standing at a kiosk in front of Cut Rate Drugs in New York as the saboteurs’ car pulls up. In his book-length interview with François Truffaut (Simon & Schuster, 1967), Hitchcock says he and Parker filmed a cameo showing them […]

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De Niro Tears Up talking about being Dad to Baby Gia– “It’s Wondrous”