He found commercial and critical success in the late forties directing Susan Hayward in two of her breakthrough performances: Smash-Up, the Story of a Woman (1947), her first Oscar nomination, and the commercial hit Tulsa (1949).
Directors: Heisler, Stuart–Versatile–Westerns (Gary Cooper); Melodramas (Susan Hayward); Noir (Alan Ladd)
1 Hitchcock: Characters–Bespectacled Woman, Housemaids
July 16, 2022 Type Intellectually inferior, but sexually unattractive bespectacled woman, with insight inti what remains hidden or unknown t others. Shadow: sister of Young Charlie, haughty Spellbound: Ingrid Bergman, the bespectacled woman who knows too much Strangers on Train: Ruth Roman’s sister (played by H’s daughter) Vertigo: Midge, Scottie’s ex-fiancee Wrong Man: bank teller […]
1 Hitchcock: Sexuality
July 10, 2022 The key to H’s films is less suspense than sexuality. His suspense always carries a sexual charge in way that are obvious or esoteric. Sexual relationship in his work are based on power, obsession with power and dread of impotence Shadow of Doubts: its sexuality that cracks the family apart. In Amer […]
Directors: Streisand, Barbra–Career Disruptions
Prince of Tides landed a best picture nom, but the Academy voters denied Streisand a directing nomination.
Ukrainian Cinema: Sergei Loznitsa
Sergei Loznitsa (Belarusian, born September 5, 1964) is a Ukrainian director known for his documentary as well as dramatic films. Maidan had its world premiere in a special screening at Cannes in May 2014, a record of the 2013–14 popular protests in Kyiv and their violent suppression. His latest documentary is Babi Yar. Context, created […]





