Oscar Directors: “Anora” is Sean Baker’s Most Accessible and Most Commercial Film to Date

Cannes Festival was the dream. You’re sort of in an existential crisis after that. I’m still figuring it out, quite honestly.

Nickel Boys: Brade Pitt’s Plan B as Producer

The common desire is that the work doesn’t become disposable or dated.

Unzipped: Douglas Keeve’s Documentary of Fashion Designer Mizrahi Celebrates 30th Anniversary

Keeve’s depiction of Mizrahi in Unzipped caused such a rift between the two that they broke up shortly after the film’s release.

Oscar Directors: Fargeat, Coralie on “The Substance”–Taking Risks, Uncompromising Vision

Selecting “The Substance” for the competition rather than Midnight Screening, where most genre films play, was a bold move by Frémaux, the festival’s director.

Presence: Interview with Scribe David Koepp about Soderbergh’s Ghost Story

“Every time you make a new ghost story, you have to come up with a reason why the people can see ghosts”–David Koepp