Cannes Festival was the dream. You’re sort of in an existential crisis after that. I’m still figuring it out, quite honestly.
Oscar Directors: “Anora” is Sean Baker’s Most Accessible and Most Commercial Film to Date
February 15, 2025 by
Nickel Boys: Brade Pitt’s Plan B as Producer
February 13, 2025 by
The common desire is that the work doesn’t become disposable or dated.
Unzipped: Douglas Keeve’s Documentary of Fashion Designer Mizrahi Celebrates 30th Anniversary
January 31, 2025 by
Keeve’s depiction of Mizrahi in Unzipped caused such a rift between the two that they broke up shortly after the film’s release.
Oscar Directors: Fargeat, Coralie on “The Substance”–Taking Risks, Uncompromising Vision
January 30, 2025 by
Selecting “The Substance” for the competition rather than Midnight Screening, where most genre films play, was a bold move by Frémaux, the festival’s director.
Presence: Interview with Scribe David Koepp about Soderbergh’s Ghost Story
January 29, 2025 by
“Every time you make a new ghost story, you have to come up with a reason why the people can see ghosts”–David Koepp