All films are essentially voyeuristic in some ways, but there are some great ones that are actually about people observing, looking at things. It's fascinating because it makes us especially aware that we are always voyeurs when we're in the cinema. It's even stronger sensation when you have the point-of-view of someone who is spying on someone else–producer Medjuk.
Legends of the Fall (1994): Oscar Winning Romantic Melodrama, Interview with Director Edward Zwick and Star Brad Pitt (Family Melodrama, Father and Sons, Three Siblings)
“Jim Harrison is one of my favorite writers. I read the book some years ago and talked to Zwick about the film long before it was made. Like my film with Robert Redford, River Runs Through It, this is a classic American story, but it feels more contemporary, more immediate”–Brad Pitt
Black Book: Interview with Director Paul Verhoeven
Gerard Soeteman and I have worked on the script for 20 years. For a long time, we couldn’t get the story to work. The basic idea stayed the same: a group of Jews are betrayed and killed in the Biesbosch and the main character hunts down the traitor. Originally, it had a male lead. And that gave us a problem: we didn’t know how to get him to credibly infiltrate the German command. Three years ago Gerard solved the puzzle: the lead should be a woman. Then all the scenes we envisaged suddenly fell into place.
Zaza (1939): Interview with Claudette Colbert, Star of Cukor’s Romantic Comedy
George Cukor thought that as a comedienne Colbert used only part of her talent and elegance; her range was wider than she was given chance to display. “Zaza” was the only film in which Colbert had chance to display her pretty voice.
Shortbus: Sex according to John Cameron Mitchell
In workshop, we did a few sexually oriented closed-set improves but not many. Some actors were immediately comfortable with that, others needed time. Many wanted to save it for the camera. All the orgasms portrayed in the film are real–John Cameron Mitchell.






