Dreams of Flight “The Great Escape” in American Film and Culture
Through breezy prose and pithy analysis, Dana Polan centers The Great Escape within American cultural and intellectual history, drawing a vivid picture of the country in the 1960s.
We see a nation grappling with its own military history, a society undergoing significant shifts in its culture and identity, and a film industry in transition from Old Hollywood’s big-budget runaway studio films to the slow interior cinema of New Hollywood.
Dreams of Flight combines this context with fan anecdotes and a close study of filmic style to bring readers into the film and trace its wide-reaching influence. Polan examines the production history, including prior adaptations in radio and television of celebrated author Paul Brickhill’s original nonfiction book about the escape, and he compares the cinematic fiction to the real events of the escape in 1944.
Dreams of Flight also traces the afterlife of The Great Escape in the many subsequent movies, TV commercials, and cartoons that reference it, whether reverentially or with humor.
Patrick Keating, author of The Dynamic Frame: Camera Movement in Classical Hollywood
“Dana Polan makes a powerful case for The Great Escape‘s prominence within the generic evolution and the larger sweep of motion-picture history, leaving no stones unturned in his exhaustive research and painstaking analysis.”—
Noah Isenberg, author of Edgar G. Ulmer: A Filmmaker at the Margins
Table of Contents
From Book to Film (and In Between)
2. Tunneling In
The Great Escape: Style, Theme, and Structure
3. Afterlives
Coda
Appendix: “It Really Happened”
Notes
Index