It showed off the Brutalist style of Tóth’s work as an expression of his post-war trauma

Brutalist, The: Visual Style–Oscar Nominated Cinematographer Crawley

February 24, 2025 by EmanuelLevy

For Brady Corbet’s The Brutalist, Crawley resurrected VistaVision, the higher resolution, wide-screen variant of 35mm popularized in the 1950s (“Vertigo” in 1958).

Filed Under: OSCAR, REVIEWS Tagged With: It showed off the Brutalist style of Tóth’s work as an expression of his post-war trauma

Brutalist, The: Visual Style–Oscar Nominated Cinematographer Crawley

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