Film Theory: Mulvey, Feminism–“Male Gaze”
Film Theory: Narrative Structure–Symmetry (Beginning and Ending Are the Same Scene)
March 30, 2019 by
Symmetry in film narratives: Hitchcock, Welles, and others
Rich and Strange (1931): Necessary Step in Hitchcock’s Evolution
September 29, 2013 by
Though not one of Hitchcock’s strong films (even of the British era), this early sound film, made in 1932, is worth seeing for those interested in the evolution of the master’s as an artist, both thematically and stylistically.
