Zoo: Controversial Docu:
Filmmakers
Robinson Devor (Director, Writer)
In 2005, Robinson Devor premiered his second feature film, POLICE BEAT, in Dramatic Competition at Sundance 2005.
The film was called emotionally devastating (Rolling Stone), a visual knockout (Variety) and Sundance at its best (Los Angeles Times), as well as named one of the year’s best films by the New York Times, Film Comment and Art Forum. For his efforts, Devor was nominated for a 2006 Indie Spirit Award and 2005 Gotham Award.
Named one of Varietys 10 Directors To Watch in 2000, Devor made his feature directorial debut with The Woman Chaser. Debuting at The New York Film Festival and then at Sundance, The Woman Chaser received critical high marks throughout its US theatrical run (Wicked and Brilliant, The New Yorker; A Masterpiece, MovieMaker Magazine).
A 2002 Fellow at the Sundance Institute, Devor collaborated with African-born journalist Charles Mudede (co-writer of Police Beat) on the feature script, Superpower, the story of an African child soldier attempting to recapture his childhood after a civil war.
Before writing and directing The Woman Chaser Devor directed the half-hour documentary, Angelyne, about the eponymous LA billboard queen. Devor currently resides in Seattle, Washington. He was raised in Westchester County, NY and went to college at Southern Methodist University in Dallas, Texas, where he received his BA in Film.
Charles Mudede (Writer)
Peggy Case (Producer)
Peggy Case is an award-winning director and producer of documentaries, dramas and art specials.
Her directing work includes the Be More national campaign for PBS, a collection of powerful documentary portraits awarded the 2004 Silver Promax and the Cine Golden Eagle. Other credits include broadcast spots commissioned by American Documentary/POV (2004) and Perfect Illusions: Eating Disorders and the Family, a feature documentary for national PBS, distributed throughout Europe. Peggy is the creator of Inside The Box, which debuted on primetime PBS. Critics applauded the series innovative, intimate election-year exploration of America’s most deeply held beliefs. Peggys work has also appeared on the BBC (Jimi Hendrix: The Man They Made God), Channel 4/UK (21st Century Jet), and the Discovery Channel.
Peggys recent feature film experience, besides producing ZOO, includes producing We Go Way Back, directed by Lynn Shelton (winner, Grand Jury Award, Slamdance Film Festival, 2006 and winner of the Grand Prize for Best Feature, 2006 Torun Film Festival, Poland).
Peggy is currently producing #2, directed by David Russo and chosen as the 2007 Start to Finish film supported by the Northwest Film Forum. Peggy also directed and produced her own short dramatic film, The Liar, about a little girl who tells her first lie, an award-winner at the USA Film Festival’s Short Film and Video Competition.
Peggy was formerly a producer on staff at KCTS (Seattle Public Television) and served as the first Media Director for 911 Media Arts Center. She is a graduate of Reed College in Portland, Oregon. Her production company, Mad As Birds (www.madasbirds.com), is based in Seattle.
Alexis Ferris (Producer)
ZOO is Alexis Ferris second Sundance competition film. As producer, her first feature film Police Beat (Sundance Dramatic Competition 2005), she was instrumental in the financing and managing the monumental task of making a 35mm anamorphic film for under $500K. With ZOO, the second project with Robinson Devor, Ms. Ferris was once again in charge of financing the film, investor relations and worked closely with Mr. Devor about distribution path of ZOO and THINKFilm.
She runs her own production company, Particular Productions, and has the film Available Light in development. Ms. Ferris currently lives in Seattle, WA.
Garr Godfrey (Executive Producer)
Garr Godfrey began investing in independent film in 2005, after a successful career creating independent video games. After creating games for Dreamworks Interactive, he co-founded the company that would eventually be known as GameHouse in 1998. GameHouse, based in Seattle, created independent game hits such as Super Collapse! and TextTwist. Mr. Godfrey began to investigate the Seattle film scene after a friend handed him the script of a film that was to be produced locally, and he was surprised at the number of interesting films that were in the works. ZOO is the second film on which Mr. Godfrey has acted as an Executive Producer.
Ben Exworthy (Executive Producer)
Ben Exworthy grew up in Appalachian, Ohio avoiding prosecution and intervention from concerned local citizenry, before graduating from Columbus of Art and Design with an illustration degree. Since 1991, Ben has worked in multimedia and games, primarily in Seattle, and, for 15 months in LA where he helped create game content for SEVERAL timeless television classics, such as Boston Common and Bailey Kippers POV.
In 1998, Ben and his long-time friend and collaborator, Garr Godfrey, started GameHouse, Inc., a relatively successful casual game company, before being acquired by RealNetworks in 2004. Ben and Garr still work at GameHouse creating games that entertain tens of billions of people daily. In his personal life, Ben is the proud father of his 10 month old daughter, Odessa, has the worlds largest collection of superballs and lenticulars, collects his own fingernails, eyelashes and teeth is glass vials, uses entire issues of local newspapers to explore his narcissism and heads the Well-Endowed Exworthy Foundation for the Arts and Irregularities.
Sean Kirby (Director of Photography)
Sean Kirby is a graduate of Syracuse Universitys School of Visual and Performing Arts with a degree in painting. After graduating, Sean attended the New York Film Academy where he learned to combine his artistic understanding of light with the techniques and equipment used in motion picture production.
His first credit as a director of photography for Fidelis won the award for best short at the 1998 Hampton Film Festival. Seans first 35mm anamorphic feature film, Police Beat, directed by Robinson Devor, premiered in the dramatic competition of the 2005 Sundance Film Festival and was praised by national film critics, in addition to being named one of that years best films by the New York Times, Film Comment and Art Forum. At the 2005 Seattle International Film Festival, Sean won the Seattle Filmmakers Award for both his cinematography on Police Beat and on the documentary The Gits. Most recently, Sean divides his time between commercial work and independent film production nationally and internationally. His most recent credits are Marvelous (directed by Siofra Campbell) which starred Ewan Bremmer, Martha Plympton and Amy Ryan, and Cthulhu (directed by Dan Gildark) which starred Jason Cottle, Cara Buono and Tori Spelling.
Sean lives in New York City.
Joe Shapiro (Editor)
Joe Shapiro is an award-winning editor based in Seattle. His films have shown all over the world at festivals including Sundance, Edinburgh, Karlovy Vary, and Clermont-Ferrand. He is best known for his work on Robinson Devors 2005 indie masterpiece, Police Beat. His previous features, The Naked Proof and Borrowing Time, have both garnered praise and festival awards as well.
Paul Matthew Moore (Composer)
Award winning composer Paul Matthew Moore started playing music very young. His formal training began with guitar and moved onto percussion and piano. While in high school he studied jazz piano/theory with Jose Bowen at Stanford University. He also sang and played keyboards played in a rock band with Timothy Young. After high school Paul attended the College of Creative Studies at The University of California Santa Barbara where he received a BA in Music Composition in 1993. He moved to Seattle in 1995. Since that time Mr. Moore has held the post of Music Director for the University of Washington Dance Program where he accompanies classes, teaches, and performs with the Chamber Dance Company. Mr. Moore has scored 16 films, has been commissioned to compose works for orchestras, chamber ensembles and commissioned to compose new works for dances by many choreographers. Mr. Moore has performed and/or recorded with numerous inspirational musicians including: Aiko Shimada, Alex Guilbert, Andy Roth, Bill Frisell, Brad Hauser, Brad Moen, Brent Arnold, Briggan Krauss, Craig Flory, Dan Rieser, David Brogan, Degenerate Art Ensemble, Doug Haire, Evan Schiller, Eyvind Kang, Hans Teuber, Jay Ralston, Jim Knapp, Kane Mathis, Keith Lowe, Lori Goldston, Matt Jorgensen, Mel Detmer, Mike Stone, Ollie Glatzer, Paul Taub, Randall Dunn, Reggie Watts, Rick Bishop, Ron Weinstein, SIL2k, Skerik, Smile Project, Scallywags, Stuart Dempster, The Sharpshooters, The Stares, The Youngs, Tim Luntzel, Troy Swanson, Tucker Martine, Very Special Forces, Wayne Horvitz, Zeke Keeble, and very especially Timothy Young.
Megan Griffiths-Co-Producer/1st AD
Before moving to Seattle, Megan Griffiths received her MFA in Film Production from Ohio University School of Film. While there, Megan wrote, directed and edited three award-winning short films. Her thesis film not Waving but Drowning, was a 2001 Student Academy Award nominee and recipient of awards for cinematography, directing and editing. In 2002, Megan wrote, directed and produced the feature-length First Aid for Choking, which screened at festivals in Telluride, Portland, Washington DC, and Seattle before securing distribution through Film Threat. As a Seattle-based freelancer, Megan has been a sought after cinematographer, 1st AD and editor for features locally and around the US. Megan is currently working on her second feature as a writer/director, The Off Hours (www.theoffhoursfilm.com), which will go into production in Winter 2007/08.
