Weapons: Zach Gregger’s Horror Mystery Comedy, Starring Josh Brolin, Dominates Box-Office

Weapons again dominated the box office charts, earning a significant $25 million in its second weekend.

WEAPONS, Cary Christopher, 2025. © Warner Bros. /Courtesy Everett Collection
©Warner Bros/Courtesy Everett C

Directed, written, co-produced, and co-composed by Zach Gregger, the story blends elemengts kf mystery, horror, and comedy too.

The film stars Josh Brolin, Julia Garner, Alden Ehrenreich, Austin Abrams, Cary Christopher, Benedict Wong and Amy Madigan.

Its plot follows the seemingly inexplicable case of 17 children from the same classroom who mysteriously run away on the same night at the same time.

Have they been abducted by an unseen force, form what reason, and why at the same time?

Sleeper hit status:

Ticket sales for the R-rated horror film declined just 43% from its $43 million debut, an impressive hold for a genre that usually falls drastically after opening weekend.

Weapons has grossed $89 million domestically and $148 million worldwide after two weeks of release.

The film, which cost a modest $38 million, is benefiting from great reviews and positive word-of-mouth.

It’s the fifth consecutive hit for Warner after “A Minecraft Movie,” “Sinners,” “Final Destination Bloodlines” and “Superman.” Fortunes have reversed for the studio after starting the year with such misfires as “Mickey 17” and “The Alto Knights.”

Overseas, the movie added $4.9 million for a global tally of $14.1 million.
Timo Tjahjanto took over directing duties from the original’s filmmaker Ilya Naishuller. In the follow-up, Odenkirk’s character Hutch Mansell takes his family on vacation to the small tourist town of Plummerville and finds himself facing some shady locals.
Audience scores for the sequel weren’t as positive as the first; “Nobody 2” earned a “B+” grade on CinemaScore compared to the original’s “A-” grade. “Nobody 2” was modestly priced at $25 million, just above the first film’s $16 million budget.

In second place, Disney’s “Freakier Friday” also enjoyed a solid second weekend with $14.5 million from 3,975 venues, a 50% decline from its opening. The PG sequel, reuniting Lindsay Lohan and Jamie Lee Curtis as mother and daughter who swap places, has earned $54.6 million in North America and $86.3 million worldwide after 10 days of release.

Another Disney film, the Marvel superhero adventure “The Fantastic Four: First Steps,” plunged to the No. 4 spot with $8.8 million in its fourth weekend of release. After a promising $117 million bow, “Fantastic Four” has been quickly losing steam at the box office with ticket sales at $247 million in North America and $468.7 million worldwide after four weekends. Those returns are above this year’s prior Marvel entries, February’s “Captain America: Brave New World” ($415 million globally) and May’s “Thunderbolts” ($382 million globally). But after a rocky post-pandemic stretch, this performance doesn’t yet signal a return to box office glory for the Marvel Cinematic Universe.
“The Bad Guys 2” rounded out the top five with $6.9 million in its third outing. Universal and DreamWorks Animation’s heist comedy has generated $56 million domestically and $117 million globally. By comparison, the first “Bad Guys” was a slow-and-steady hit with $250 million for its entire run.

In sixth place, “Superman” added $5.3 million in its sixth weekend in theaters. The comic book adaptation from Warner and DC has grossed $340 million in North America and $594 million worldwide to date. In a matter of days, it’ll become one of six films this year to cross the $600 million mark.

Sydney Sweeney’s crime thriller Americana cratered with $500,000 from 1,110 locations for a dismal start in 16th place. It’s one of the worst openings in history for a film that landed on more than 1,000 screens.

Co-starring Paul Walter Hauser, Halsey and Eric Dane, the Western follows a group on the trail of a rare Native American artifact.

Lionsgate acquired the film at SXSW in 2023 and pre-sold international rights, which helps to recoup losses for underperforming theatrical releases.

The overall box office is 6.4% ahead of last year — a margin that has been shrinking over the past few weeks. In early July, for example, revenues were 16% ahead of 2024. And returns for the four-month stretch that comprises the summer season are stalling at $3.4 billion through mid-August. That likely means the movie theater industry’s goal of hitting the elusive $4 billion mark won’t be within reach.

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