Tarrell is a painter on the verge of remarkable success. When he’s not painting, he spends time with his singer-songwriter wife Aisha (Andra Day) and their young son. Despite living a blissful life, Tarrell suffers from nightmares due to past trauma. His mother Joyce (Aunjanue Ellis-Taylor) has a distorted memory of events, which causes rift between her and her son. When estranged father La’Ron (John Earl Jelks) walks back into Tarrell’s life, rather unexpectedly, everyone struggles with forgiving and forgetting.
Exhibiting Forgiveness Movie Poster Sundance

A Black artist on the rise to fame has his future thrown in jeopardy when his estranged father arrives seeking to reconnect with his son, only to discover that forgiveness is only one part of the battle to recovery.

Tarrell, La’Ron, and Joyce might never reach agreement about the problems of their family dynamics, but the film is about making a conscious decision to facilitate a future of generational healing, future where children aren’t subjected to relentless criticism or tough love treatment as educational means about the socio-political reality.

Kaphar’s feature offers a transcendent experience that could make open-minded viewers confront their own personal demons and familial traumas. The aptly titled film suggests that generational trauma can be broken, and healing is a possibility.