‘Stunt Design’ Category to Begin in 2027

The Board of Governors of the Academy of Motion Picture Arts and Sciences (AMPAS) announced today the creation of an annual competitive category for achievement in stunt design, beginning with the 100th Oscars in 2028 for films released in 2027.
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Director-producer David Leitch (“The Fall Guy,” “Bullet Train,” “Deadpool 2”) led the initiative on behalf of the stunt community to institute the new official Oscar category.
Leitch started as a stunt performer and coordinator before making the leap to directing, as well as founding his 87North Productions banner with Kelly McCormick. Leitch and stunt coordinator and designer Chris O’Hara of Stunts Unlimited and others made several presentations to the Academy, leading to the Board of Governors approving the new awards category today.
Leitch said, “Stunts are essential to every genre of film and rooted deep in our industry’s history—from the groundbreaking work of early pioneers like Buster Keaton, Harold Lloyd, and Charlie Chaplin, to the inspiring artistry of today’s stunt designers, coordinators, performers, and choreographers.” He went on to say, “This has been a long journey for so many of us. Chris O’Hara and I have spent years working to bring this moment to life, standing on the shoulders of the stunt professionals who’ve fought tirelessly for recognition over the decades. We are incredibly grateful. Thank you, Academy.”
More than 100 stunt professionals are members of the Academy’s production and technology branch. The last new award category created was achievement in casting, established in 2024. It will begin with next year’s 98th Oscars telecast for films released in 2025.
Another major player, the SAG Awards, first introduced a similar category, outstanding performance by a stunt ensemble, in 2007. Leitch’s “The Fall Guy” earned the most recent trophy.
During the film’s press tour, actor Winston Duke advocated for adding a stunt-related Oscar category: “We’re allies of the stunt community, and we make this movie to try to bring you in as allies as well, as consumers and as movie goers, and people who participate in your own way in filmmaking. There could be no movies without the audience, and we need you to amplify the voice of these folks as well. It takes allyship to get this to change.”