Oscar Movies: Wicked: For Good–New Clip

New ‘Wicked: For Good’ Clip of Elphaba Visiting Glinda on Wedding Day–No Use of Digital Effects for Tin Man and Scarecrow

LONDON, ENGLAND - OCTOBER 10: Jon M. Chu attends the "The Wizard Of Wicked" screening during the 69th BFI London Film Festival at the BFI Southbank on October 10, 2025 in London, England. (Photo by Kate Green/Getty Images for BFI)
Getty Images for BFI

Wicked For Good hits cinemas November 21, but director Jon M. Chu dropped by the London Film Fest on Friday (Oct. 10) to offer special sneak peak of the follow-up to Universal’s smash hit musical adaptation.

The director debuted a new clip for the audience of his LFF for Free talk, featuring Elphaba (Cynthia Erivo) visiting Glinda (Ariana Grande) on her wedding day.

The tease sees the two secretly reunite after the events of “Defying Gravity,” with Glinda dressed in sparkling white gown, as Elphaba is being hunted down by the Wizard’s flying monkeys. A teary Glinda pleads with Elphaba to talk things out with the Wizard, but before she can finish her appeal, Elphaba is gone.

Chu did not employ digital effects for the characters of the Tin Man and Scarecrow — formerly Boq and Fiyero — in “For Good.” “By the way, wait until you see the Tin Man and the Scarecrow,” Chu teased. “These are not digital effects. These are real, physical make-up and hair and it is extraordinary. I couldn’t show you any footage here, but when you see it, know there was no room for error on it.”

As for the song “For Good,” which the sequel gets its title from, Chu said that Erivo and Grande’s performance of it is “the most beautiful emotional version of it I’ve ever heard in my life.”

“That song is about literally what they’re doing with their eyes,” Chu said of shooting the “For Good” scene. “It’s the most covered song, it’s the song that everybody has heard many, many times and many different versions, but the advantage that we have in this is that you know these characters.”

Chu initially filmed the “For Good” scene with “sweeping” shots, and had it in the cut like that for seven months. But “it never sat right,” he said, revealing that he opted for a much more “intimate” feel.

Chu also teased his next project after Oz, a film adaptation of another hit stage music, this time Andrew Lloyd Webber and Tim Rice’s Joseph and the Amazing Technicolur Dreamcoat.

“It’s something  I hold dear to my heart, made for Amazon Studios and reuniting me with “In the Heights” producer Scott Sanders. “It’s my favorite show, but it’s a hard one to preconceive for now and [decide] how to do it with the tone. I love it so much and I think we’ve cracked something in there that’s really fun.”

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