DreamWorks
Ridley Scott’s historical epic “Gladiator,” which swept the largest (twelve) number of nominations in 2000, was a large-scale production that notwithstanding its blood and gore was basically a sand-and-sandals throwback to such historical adventures as “Ben-Hur” and “Quo Vadis.”
With its central rebel-hero and old-fashioned mythic battle of good versus evil, safely placed in the past, it resembled the Mel Gibson vehicle, “Braveheart,” as well as numerous costume dramas of yesteryear.
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Theatrical release poster
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Grade: B- (**1/2* out of *****)
Read about Russell Crowe in A Beautiful Mind:
Beautiful Mind, A (2001): Ron Howard’s Middle Brow Oscar Winner
A long (154 minutes), big-budgeted (over $150 million) picture, replete with royal intrigues, simplistic heroism, and grisly combats, Gladiator was set in 180 AD. The aging Roman emperor, Marcus Aurelius (Richard Harris), is eliminated by his treacherous son, Commodus (Joaquin Phoenix), who resents the favored status of general Maximus (Crowe). Sent away by Commodus, Maximus escapes death, becomes a prisoner, and is later sold by an entrepreneur (Oliver Reed, in his last role) who forces him to become a gladiator. After finding out that his wife and son were murdered by Commodus, Maximus conceals his identity. His idealized memory of his lost family serves as the vengeance motive for a life-long, single-minded pursuit. The story then moves to Rome and concludes, like most routine actioners, with a combat between the two men.
The CGI effects-driven Roman spectacle has its moments, such as the gladiators entrance into the Colosseum, which is a visual coup, and the dynamic and brutal gladiatorial contests. Its cliche evocation of the Roman empire, as scripted by David Franzoni, John Logan and William Nicholson, uses elements from previous epics, though there are less speeches and none of the Judeo-Christian conflicts that defined the genre in the 1950s. Reveling in the glory and horror of the games, they present them as gaudy, lowbrow entertainment.
With the exception of Variety, Gladiator was dismissed by most major critics as a popcorn movie blown to epic proportions. Some reviewers deemed it the least scintillating Oscar winner since Gandhi, while other dismissed it as one of the weakest films ever to win the top prize. For Roger Ebert, the choice represented “a case of temporary insanity on the part of the Academy.”
In a well-publicized rebuttal in the New York Times, the critic Pauline Kael said: “I was shocked at how bad Gladiator was technically. It has the worst editing.” Baffled by the praise showered on Crowe, as the silent hero-warrior, Kael observed: “It’s absurd casting that actor as a gladiator. Your look at him flexing his muscles and you want to laugh. He’s like one of the Three Stooges.”
Crowe and director Ridley Scott didn’t agree on the screenplay, and on this line in particular: “My name is Maximus Decimus Meridius, commander of the Armies of the North, General of the Felix Legions and loyal servant to the true emperor, Marcus Aurelius. Father to a murdered son, husband to a murdered wife. And I will have my vengeance, in this life or the next.”
The actor strayed from John Logan and William Nicholson’s script, trying to improvise with other lines, but at the end Scott forced him to read the line as written. It went over, even though Crowe still hated it: “It was shit. But I’m the greatest actor in the world and I can make even shit sound good.” The “shit” script got nominated for best original screenplay and Crowe won the Best Actor.
My Oscar Book
Oscar Nominations
Picture, produced by Douglas Wick, David Franzoni, and Branko Lustig
Director: Ridley Scott
Screenplay (Original): David Franzoni, John Logan, and William Nicholson; story by Franzoni
Actor: Russell Crowe
Supporting Actor: Joaquin Phoenix
Cinematography; Lajos Koltai
Art Direction-Set Decoration: Arthur Max; Crispian Sallis
Sound: Scott Millan, Bob Beemer, Ken Weston
Film Editing: Pitero Scalia
Costume Design: Janty Yates
Visual Effects: John Nelson, Neil Corbould, Tim Burke, and Rob Harvey
Oscar Awards
Picture
Actor
Sound
Costume Design
Visual Effects
Oscar Context
In 2000, “Gladiator” competed for the Best Picture Oscar with the melodrama “Chocolat,” Ang Lee’s action-adventure “Crouching Tiger, Hidden Dragon,” and two vastly different films, both directed by Soderbergh, the biopicture “Erin Brockovich” and the social-problem drama, “Traffic.”
Credits
Directed by Ridley Scott
Screenplay by David Franzoni, John Logan, William Nicholson
Story by David Franzoni
Produced by Douglas Wick, David Franzoni, Branko Lustig
Cinematography John Mathieson
Edited by Pietro Scalia
Music by Hans Zimmer, Lisa Gerrard
Production companies: DreamWorks Pictures, Universal Pictures, Scott Free Productions
Distributed by DreamWorks Distribution (North America)
Release dates: May 5, 2000 (US); May 12, 2000 (UK)
Running time: 155 minutes (theatrical); 171 minutes (extended version)
Budget $150 million
Box office $465.5 million
