Over the past two decades, Clint Eastwood, soon to be 80, has become one of the most versatile, reliable and prolific directors in American cinema, a triple achievement that cannot be overestimated. With “Invictus,” Eastwood continues his explorations of humanistic populist themes, which bridge the personal with the political domains, resulting in socially relevant, emotionally engaging works.
emanuellevy.com/videos/view.cfm?id=90
Black as the Pit from pole to pole,
I thank whatever gods may be
For my unconquerable soul.
In the fell clutch of circumstance
I have not winced nor cried aloud.
Under the bludgeonings of chance
My head is bloody, but unbowed.
Beyond this place of wrath and tears
Looms but the Horror of the shade,
And yet the menace of the years
Finds and shall find me unafraid.
It matters not how strait the gate,
How charged with punishments the scroll,
I am the master of my fate:
I am the captain of my soul.
William Ernest Henley
Cast
Nelson Mandela – Morgan Freeman
Francois Pienaar – Matt Damon
Jason Tshabalala – Tony Kgoroge
Etienne Feyder – Julian Lewis Jones
Brenda Mazibuko – Adjoa Andoh
Linga Moonsamy – Patrick Mofokeng
Hendrick Booyens – Matt Stern
Mary – Leleti Khumalo
Credits
Warner release presented in association with Spyglass Entertainment of a Revelations Entertainment/Mace Neufeld and Malpaso production.
Produced by Clint Eastwood, Lori McCreary, Robert Lorenz, Neufeld.
Executive producers, Morgan Freeman, Tim Moore, Gary Barber, Roger Birnbaum. Directed by Clint Eastwood.
Screenplay, Anthony Peckham, based on the book “Playing the Enemy” by John Carlin.
Camera, Tom Stern.
Editors, Joel Cox, Gary D. Roach.
Music, Kyle Eastwood, Michael Stevens.
Production designer, James J. Murakami; supervising art director, Tom Hannam; art director, Jonathan Hely-Hutchinson; set decorator, Leon van der Merwe.
Costume designer, Deborah Hopper.
Sound, Walt Martin; supervising sound editors, Alan Robert Murray, Bub Asman; sound designer, David Farmer; re-recording mixers, John Reitz, Gregg Rudloff.
Visual effects supervisor, Michael Owens; visual effects, CIS Visual Effects Group.
Assistant director, Donald Murphy.
Casting, Fiona Weir.
MPAA Rating: PG-13.
Running time: 133 Minutes.
Eastwood and his writer make it clear that, to the rest of the world, the 1995 World Cup Final was just a footnote, no more than a potentially thrilling rugby match. However, to the people of South Africa, it was a turning point in history, a shared experience that helped heal the wounds of the past, while giving new hope for the future.
What could have been in the hands of another director a schmaltzy, predictable, uplifting, and noble entertainment, is under Eastwood’s helm a straight (and straightforward), understated, and subtle tale of a shrewd, charismatic politician, who understood the universal language of sports and poetry ands their roles as instrumental tools in reuniting his country. Pop culture, art works, and leisure activities are contrasted with the more controversial and divisive power of ideas, messages, and speeches, all of which are contained in moderation in the film.