After the success of the 1959 Oscar-winning A Room at the Top, Jack Clayton took a completely different approach and material in his second feature, The Innocents, on which he was both producer and director.
Grade: A- (****1/2* out of *****)
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Theatrical release poster
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A ghost horror tale full of ambiguities and ironies, The Innocents, was adapted by Truman Capote from the classic Henry James short story The Turn of the Screw, which Clayton had first read when he was ten years old.
Capote’s screenplay (with uncredited contributions from John Mortimer) was adapted from William Archibald’s stage version of the story.
Clayton was contracted to make another film for Fox, as was actress Deborah Kerr, whom Clayton had long admired. As a result, he was able to cast Kerr in the lead role as Miss Giddens, a repressed spinster who takes a job in a large, and remote English country house, as the governess to an orphaned brother and sister.
Giddens gradually comes to believe that her young charges are possessed by evil spirits.
Kerr’s superb performance is often rated as one of the best of her long and impressive career.
The eerie score by renowned French composer Georges Auric contributes immeasurably to the atmospheric mood.
The black-and-white widescreen cinematography of Freddie Francis is lush, lavish and evocative of the tale’s ominous mood. Although Clayton was initially dismayed at Fox’s insistence that the film be shot in CinemaScope, lenser Francis used it to great advantage, carefully framing each scene, and using innovative techniques, such as placing protagonists at the extreme opposite edges of the screen during dialogue scenes, or focusing on the central region while using specially-made filters to blur the edges of the frame, creating a subtle but disturbing sense of unease.
Although it was not a commercial hit, it earned positive reviews on release and its reputation has grown steadily over the years. The New Yorker critic Pauline Kael praised it as “one of the most elegantly beautiful ghost movies ever made.”
Under Clayton’s assured helming, the film benefits from sustained nervous tension and creepy feeling throughout, all based on the characterizations and dialogue, with no reliance on any sight of blood or special effects, which are characteristic of the horror genre.
Clayton, Freddie Francis, and Truman Capote all rated their work on the film as the best of their respective careers.
Reel/Real Impact:
Upon initial release, The Innocents was not critically acclaimed or commercially popular, hencepur designation as “AMOUR* (Abandoned, Misunderstood, Overlooked, Underestimated, Revisited).
Critical Status:
In later years, the film was selected by “The Guardian” as one of the 25 best horror films ever made.
Over the years, the film has been widely acclaimed as a classic of psychological horror by many leading directors, including Francois Truffaut and Guillermo del Toro. Truffaut, for examle, thought that The Innocents was “the best English film after Hitchcock went to America.”
Credits:
Produced, directed by Jack Clayton
Screenplay by William Archibald, Truman Capote, John Mortimer (additional scenes and dialogue), based on The Turn of the Screw by Henry James
Cinematography Freddie Francis
Edited by Jim Clark
Music by Georges Auric
Production: Achilles Film Productions; 20th Century Fox
Distributed by 20th Century Fox
Release dates: Nov 24, 1961 (London); Dec 15, 1961 (LA)
Running time: 99 minutes
Budget £430,000
Box office $1.2 million
