Ukraine Cinema: Films Exploring the Human Toll of Russia’s Aggression
Some of Ukraine’s filmmakers have been exploring the trauma that followed Russia’s invasions of Crimea and the Donbas region.

Ambitious Ukrainian filmmakers have made various features that explored the human toll of Russia’s military aggression.
Such cinema offers a kaleidoscopic view into the lives and concerns of contemporary Ukrainians coping with the deadly hardships of Russia’s 2014 takeover of Crimea and warfare in the Donbas region.
The films offer an opportunity for greater empathy and understanding of the conflict, seen through the vision of Ukrainian artists.

Nariman Aliev’s Homeward premiered at the Cannes Film Festival in 2019 (in Un Certain Regard series), marking the debut of a gifted first-time director.
It was selected as the Ukrainian entry for the 2019 Best International Feature Oscar, but it was not nominated.
The movie begins with hot-tempered father Mustafa (Akhtem Seitablaev) and his sullen 20-ish son Alim (Remzi Bilyalov) visiting a morgue in Kyiv. They are there to take the bullet-scarred corpse of Alim’s older brother, Nazim, who was killed in battle after volunteering to fight in the ongoing border war with Russia.
Mustafa has family roots in Crimea’s oppressed Muslim Tatar ethnic minority and feels he must transport Nazim’s body across the country to bury him in his ancestral homeland.
The tale unfolds as a road trip across Ukraine, which becomes fractious and action-filled, taking in a brush with traffic police, an enforced stop in a sleepy village, a lakeside robbery and a clash with border guards.
Ukraine’s Tatars endured unspeakable atrocities during the Soviet era and with Crimea back under Russian occupation since 2014, they face a fresh wave of persecution today; their land seized, their political organizations banned.
Russian imperial power remains the lurking offstage villain in Homeward.
The movie marked the debut of Aliev, who was only 26-year- old, as a rising talent to watch.
Detailed Plot (Spoiler Alert)
Crimean Tatars Mustafa and his son Alim clash after collecting the body of elder son Nazim, a casualty of the Russo-Ukrainian War.
The family’s history with government displacement compels Mustafa on a pilgrimage to mourn and bury in Crimean Islamic tradition.
The story starts from the morgue, then on a road trip in a Jeep Cherokee from Kyiv to the volatile Crimean Peninsula.
After sleep deprivation, the Jeep lands damaged in a ditch. Taking the vehicle to the closest auto shop, Alim meets the mechanic’s granddaughter, a young Ukrainian girl who convinces him to go to the river. During this time, the traveling party loses their wallet to a group of local boys.
In the process Alim and Mustafa become closer as they learn how to defend their passage and regain their lost possessions.
Mustafa’s illness gets worse when the father and son arrive at Uncle Vasya’s home. The home is not far from the family’s original Crimean homeland and Mustafa convinces Uncle Vasya to let him borrow a rowboat to complete the remaining segment of their passage.
Cast
Akhtem Seitablaev as Mustafa
Remzi Bilyalov as Alim