Martin Scorsese directed Goodfellas, a crime biopic, written by him and Nicholas Pileggi, based on the 1985 nonfiction book “Wiseguy” by Pileggi.
Starring Robert De Niro, Ray Liotta, Joe Pesci, Lorraine Bracco and Paul Sorvino, the film narrates the rise and fall of mob associate Henry Hill, his friends and family from 1955 to 1980.
Scorsese initially titled the film “Wise Guy,” and postponed making it; he and Pileggi later changed the title to Goodfellas.
Scorsese’s exuberantly vivid GoodFellas is the tale of mobster Henry Hill (Ray Liotta) and his wife (Lorraine Bracco), who are put in the federal witness protection program after Hill realizes that it’s the only way to save his life.
Nicholas Pileggi, who wrote the book “Wiseguys” and adapted it to the screen with Scorsese, has said that, “Discovering Hills as a magazine journalist was like getting hold of a soldier in Napoleons army. Detail, detail, detail. Everything was detail. Scorsese affirmed, “You could have made an endless number of films out of that single book.”
After a brief beginning, the film flashes back to Hill’s boyhood in Brooklyn and his fascination with the Mafioso figures around him, such as Robert De Niro and particularly Joe Pesci, as a mean, moody man who can snap from the jovial to the deadly within seconds.
Dramatically flawed (the narrative is a bit shapeless, and the ending could have been more powerful), GoodFellas nonetheless is a supremely crafted piece of filmmaking from a director at the peak of his form.
Splendidly filmed by Michael Ballhaus, the film is replete with clever and bravura scenes, with asides to the camera, voice-over narration, dark humor, and astonishingly cruel violence.
The final shot of Tommy shooting toward the camera borrows from the seminal 1903 silent, “The Great Train Robbery,” which end the same way. This explains Tommy’s anachronistic clothes as well as his sudden appearance after his character’s death.
To prepare for their roles in the film, De Niro, Pesci and Liotta often spoke with Pileggi, who shared research material left over from writing the book. According to Pesci, improvisation and ad-libbing came out of rehearsals wherein Scorsese gave the actors freedom to do whatever they wanted. The director made transcripts of these sessions, took the lines he liked most and put them into a revised script, which the cast worked from during principal photography.
Most film critics raved about the film, but the audience and the Academy preferred Kevin Costner’s middlebrow Western “Dances With Wolves,” which swept the Oscars, including Best Picture and Director.
Even so, the film offers a vividly detailed portrait of an anti-hero who is not very bright, finding himself in well over his head and not knowing how to get out of it.
De Niro, who plays a supporting role here, was nominated in 1990 for the showier lead role in Penny Marshall’s melodrama, “Awakenings,” as a comatose man.
Joe Pesci, who had been nominated once before, also for a Scorsese film (“Raging Bull, in 1980) was rightly voted by the Academy for a performance that reportedly scared his colleagues on the set, including Scorsese’s own mother, who plays a bit part.
Lorraine Bracco lost the Supporting Actress Oscar to Whoopi Goldberg, who won for er work in Ghost.
Despite multiple nominations and respect, the Oscar has eluded Scorsese for decades, largely because the Academy prefers predictable competence to individual genius. As noted, Scorsese lost out to Kevin Costner and Dances With Wolves. The script lost to Michael Blakes “Dances With Wolves,” which also won editing for Neil Travis.
Oscar Alert
Oscar Nominations: 6
Picture, produced by Irwin Winkler.
Director: Martin Scorsese
Screenplay (Adapted): Nicholas Pileggi and Scorsese
Supporting Actor: Joe Pesci
Supporting Actress: Lorraine Bracco
Film Editing: Thelma Schoonmaker
Oscar Awards: 1
Supporting Actor
Oscar Context:
In 1990, Coppola’s last chapter of his mafia saga that began in 1972, “The Godfather, Part III” competed for the Best Picture with “GoodFellas,” which received 6 nominations; two melodramas, “Awakening,” with 3 nods, and the supernatural romance “Ghost,” with 5.
The big winner was Kevin Costner’s epic Western, Dances With Wolves, which was honored with the largest number of nominations (12) and Oscars (7), including Best Picture and Best Director.
“The Godfather, Part III” and “Awakenings” emerged as that year’s big losers, with each film failing to receive a single award.
Critical Status
Goodfellas is widely regarded as one of the greatest films ever made, particularly in the gangster genre. In 2000, it was deemed “culturally, historically, or aesthetically significant” and selected for preservation in the National Film Registry by the US Library of Congress. Its content and style have been emulated in numerous other pieces of media.
Goodfellas premiered at the 47th Venice Film Fest on September 9, 1990, where Scorsese was awarded with Silver Lion for Best Director.
Released on September 19, 1990, by Warner, the film was only moderately popular at the box office, grossing $47 million on a budget of $25 million.
Cast
Robert De Niro as James “Jimmy” Conway
Ray Liotta as Henry Hill
Christopher Serrone as Young Henry
Joe Pesci as Tommy DeVito
Joseph D’Onofrio as Young Tommy
Lorraine Bracco as Karen Hill
Paul Sorvino as Paulie Cicero
Frank Sivero as Frankie Carbone
Tony Darrow as Sonny Bunz
Mike Starr as Frenchy
Frank Vincent as Billy Batts
Chuck Low as Morris Kessler
Frank DiLeo as Tuddy Cicero
Henny Youngman as himself
Gina Mastrogiacomo as Janice Rossi
Catherine Scorsese as Tommy’s mother
Charles Scorsese as Vinnie
Suzanne Shepard as Karen’s mother
Debi Mazar as Sandy
Margo Winkler as Belle Kessler
Welker White as Lois Byrd
Jerry Vale as himself
Julie Garfield as Mickey Conway
Elaine Kagan as Henry’s mother
Beau Starr as Henry’s father
Kevin Corrigan as Michael Hill
Michael Imperioli as Spider
