‘Fantastic Four’: First Steps’ by Director Matt Shakman
After three years on the project, director realized that a key moment was missing, and shot it within a few months of the film’s opening.

Matt Shakman has made the definitive live-action adaptation of Marvel’s first family, The Fantastic Four: First Steps.
Fantastic Four is this summer’s most well received blockbuster, and it’s just set 2025’s opening night record of $24.4 million.
The critical and commercial win come at a crucial time for Marvel Studios amid the superhero genre’s post-pandemic inconsistency.

“T.S. Eliot said, ‘Good artists borrow, great artists steal,’ and I definitely am not ashamed of stealing from some of the folks that I love so much,” Shakman says. “Interstellar was a huge reference, as well as 2001 and Apollo 13.”
Familial sacrifice also plays a part in Shalla-Bal/Silver Surfer’s (Julia Garner) subplot, prompting Shakman to conduct additional photography a little over two months ago for the sake of showing, not telling.
Fantastic Four: First Steps–$57 Million Opening Day —Year’s Second-Biggest

The Fantastic Four: First Steps stretched arms around $57 million from 4,125 theaters across Friday and preview screenings.
That’s the second-biggest opening day of the year, ranking just behind “A Minecraft Movie” ($57.11 million).
The film is playing Imax and other premium large format auditoriums.
It also just edges out comic book banner rival, DC Studios’ Superman, which began with a $56.1 million opening day, two weeks ago. It’ll be close call on whether “Fantastic Four” can keep pacing ahead to beat the $125 million three-day opening of “Superman.
It’s the best first day kick-off for a Marvel Cinematic Universe entry since “Deadpool & Wolverine” dominated the box office 12 months ago.
Like that R-rated smash, Fantastic Four is based on Marvel characters that were acquired by Disney after the studio’s acquisition of 20th Century Fox in 2019, showing the value to that $71 billion merger.
Three previous big-budget Fantastic Four entries were produced at Fox, from 2005 to 2015.
There was also unreleased 1994 feature, spearheaded by Roger Corman as a means to retain film rights for German producers. I