A period drama set in the 1920s during the establishment of Soviet authority on the Kazakh steppe, the film explores the convergence of marriage, religion and women’s rights through the story of a typical couple wrestling with the prospect of divorce.

Salamat was presented onstage with his trophy by the Oscar-nominated Vietnamese-French director Tran Anh Hung (Scent of Green Papaya, The Taste of Things), who served as Shanghai’s competition jury president this year. Hung and his fellow jurors praised the “sophisticated form” of The Divorce‘s story, “which mixes comedy, farce and tragedy,” and they hailed Salamat’s “ability to create the feeling of innocence, which radiates through his film and its characters.”

Best actor honors went to local favorite Huang Xiaoming for his transformative performance in Wei Shujun’s family drama Mostly Sunny (previously known as Don’t Worry Be Happy). Huang plays a mentally challenged man coping with his mother’s cancer diagnosis. Typically, a heartthrob and leading man, Huang gained a considerable amount of weight for the part. “With a character that is easily labeled and stereotyped, the actor’s performance renders the role a unique charm through presenting his clumsy and heavy body and innocent eyes,” the jury said, adding, “By looking at his eyes, the jury sees precious belief and strength, and the warmest humanity.”

As he accepted the prize, Huang said the message of Don’t Worry Be Happy is that “life is ups and downs — but you are not alone.” Noting that the film is also about the Chinese value of filial piety, the actor thanked his parents–he wouldn’t be standing onstage without them.

China’s longest-running and most respected cinema event, the Shanghai festival hosted an estimated 1,600 screenings of 461 films across its 10-day duration this year.

The Jury

Joining Hung on the event’s jury were Australian filmmaker Rolf de Heer, German director Matthias Glasner, Hong Kong star Tony Leung Ka-fai, Argentinian director Santiago Mitre, Chinese actress Zhou Xun and Tibetan director Sonthar Gyal.

Chinese cinema had a strong night overall. The best screenplay prize went to Zheng Zhi, Guo Fangfang and director Gu Changwei — co-writers of The Hedgehog — while the best documentary trophy was awarded to Pan Ziqi for Ms Hu’s Garden (in a rousing moment, The Hedgehog‘s star, popular actor Ge You, joined the screenwriters onstage and proceeded to kiss their Golden Goblet statue). Zhang Ying, director of photography for Huang Bo’s well-received pandemic drama A Man and A Woman, won for best cinematography.