Paramount’s maestro Ernst Lubitsch produced and directed Design for Living, an outré romantic triangle that could have only been in Hollywood during the pre-Code era.
| Design for Living | |
|---|---|
Theatrical release poster
|
Oscar-winning scenarist Ben Hecht adapted to the big screen Noel Coward’s famous 1932 play, which is still being done regularly in repertory around the world.
A classic romantic comedy, the tale centers on a romantic triangle, composed of Gary Cooper at his most handsome and before he became a star), Fredric March (already Oscar winner and established thespian), and Miriam Hopkins (who would hit her stride two years later with an Oscar-nominated performance in Becky Sharp).
It all begns when Tom Chambers (March), a budding playwright, and George Curtis (Cooper), a budding painter, fall asleep on a train to Paris, they are sketched by Gilda Farrell (Hopkins), a commercial artist who sits across from them.
Soon they become an inseparable trio—a menage a trois, as the French say. Both men are in love with Gilda, and she claims to love them both.
Sensing the rivalry between the men, Gilda suggests that they all live together, on a strictly platonic basis. She then goes on to become their critic, which spurs them on to greater heights.
Tom is off to London to have his play produced, when he gets a letter from George saying that the “gentlemen’s agreement” has broken down.
Tom’s play is a hit and he quickly returns to Paris, only to find that George, also becoming known for his work, is in Nice, painting portraits.
Gilda confesses her love for Tom, but George returns the next morning and is furious with them. She then departs for America with her boss Max Plunkett and marries him.
For a year, Gilda entertains Max’s boring clients at parties, but then Tom and George suddenly appear at a social gathering, and they behave so outlandishly that the guests leave in disgust. Max is furious, but relieved, when Gilda declares that she’s leaving him.
Happy together, the trio returns to Paris and begin a new life, based on the same old “gentlemen’s agreement.”
On Broadway, Design for Living was a commercial and critical hit, starring Lynn Fontanne, Alfred Lunt and Noel Coward himself. Its risqué ménage-à-trois theme made it controversial–a talked about production–which, of course, only increased its popularity.
Neither Cooper nor March were first choices for Lubitsch, who initially wished thet the distinguished British actors Ronald Colman and Leslie Howard assume the parts, but the former was too expensive, and the latter too anxious that his performance would suffer when compared to that of Alfred Lunt on stage.
The movie version was released in December 1933, just months before the imposition of the Production Code and its restrictions.
Upon release, Design for Living was not well received by critics or audiences. It would take several decades for the movie to be reevaluated and elevated by a new generation of filmmakers and reviewers.
Cast:
Fredric March (Tom Chambers)
Gary Cooper (George Curtis)
Miriam Hopkins (Gilda Farrell)
Edward Everett Horton (Max Plunkett)
Franklin Pangborn (Mr. Douglas)
Isabel Jewell (Lipsing Stenographer)
Harry Dunkinson (Mr. Egelbauer)
Helena Phillips (Mrs. Egelbauer)
James Donlin (Fat Man)
Vernon Steele (First Manager)
Thomas Braidon (Second Manager)
Jane Darwell (Housekeeper)
Armand Kaliz (Mr. Burton)
Adrienne D’Ambricourt (Proprietors of Café)
Wyndham Standing (Max’s Butler)
Noral Cecil (Tom’s Secretary)
Grace Hayle (Woman on staircase)
Olaf Hytten (Englishman at train)
Mary Gordon (Theatre Chambermaid)
Lionel Belmore, Charles K. French (Theatre Patrons)
Rolfe Sedan (Bed Salesman)
Mathilde Comont
Credits:
A Paramount Picture.
Director, producer Ernst Lubitsch.
Scenarist: Ben Hecht, based on the play by Noel Coward.
Photographer: Victor Milner.
Editor: Francis Marsh.
Art Director: Hans Dreier.
Costumer: Travis Banton.
Sound Recorder: M.M. Paggie.
