Competition Lineup:
Competition lineup includes works from 4 Palme d’Or winners:
Ruben Östlund’s social satire Triangle of Sadness, Japanese helmer Kore-eda Hirokazu’s Korea-set Broker, Romanian director Cristian Mungiu’s politically charged RMN, and Belgian duo the Dardenne brothers’ immigrant-focused Tori and Lokita.
Updated April 29, 2022
CANNES FILM FEST 2022
COMPETITION LINEP: 21 FEATURES
(It includes 3 new titles, Added April 21, 2022)
“Armageddon Time,” James Gray (U.S.)
“Boy From Heaven,” Tarik Saleh (Sweden)
“Broker,” Kore-eda Hirokazu (Japan)
“Brother and Sister” OR “Frère et Sœur,” Arnaud Desplechin (France)
“Close,” Lucas Dhont (Belgium)
“Crimes of the Future,” David Cronenberg (Canada)
“Decision to Leave” OR “Haeojil Gyeolsim,” Park Chan-Wook (S. Korea)
“The Eight Mountains,” Charlotte Vandermeersch and Felix Van Groeningen (“The Broken Circle Breakdown”)
“Eo” OR “Hi-Han,” Jerzy Skolimowski (Poland)
“Forever Young” OR “Les Amandiers,” Valeria Bruni Tedeschi (France)
“Holy Spider,” Ali Abbasi (Iran)
“Leila’s Brothers,” Saeed Roustaee (Iran)
“Nostalgia,” Mario Martone (Italy)
“RMN,” Cristian Mungiu (Romania)
“Showing Up,” Kelly Reichardt (U.S.)
“Star Up,” Claire Denis (France)
“Tchaïkovski’s Wife,” Kirill Serebrennikov (Russia)
“Tori and Lokita,” Jean-Pierre Dardenne and Luc Dardenne (Belgium)
“Triangle of Sadness,” Ruben Östlund (Sweden)
“Un Petit Frere,” Léonor Serraille (France)
Directors of Competition Lineup (by Last Name, A to Z)
Dardenne, Jean-Pierre and Luc–“Tori and Lokita” (Belgium)
Denis, Claire (France)
Östlund, Ruben–“Triangle of Sadness” (Sweden)
Reichardt, Kelly–“Showing Up” (U.S.)
Serebrennikov, Kirill–“Tchaïkovski’s Wife” (Russia)
Serras, Albert–“Tourment sur les iles” (France)
Serraille, Léonor–“Un Petit Frere” (France)
UN CERTAIN REGARD
“All the People I’ll Never Be” OR “Retour à Séoul,” Davy Chou (Cambodia)
“Beast,” Riley Keough and Gina Gammell (U.S.)
“Burning Days,” Emin Alper (Turkey)
“Butterfly Vision,” Maksim Nakonechnyi (Ukraine)
“Corsage,” Marie Kruetzer (Austria)
“Domingo and the Mist,” Ariel Escalante Meza (Costa Rica)
“Godland,” Hlynur Pálmason (Iceland)
“Joyland,” Saim Sadiq (Pakistan)
“Metronom,” Alexandru Belc (Romania)
“Plan 75,” Hayakawa Chie (Japan)
“Rodeo,” Lola Quivoron (France)
“Sick of Myself,” Kristoffer Borgli (Norway)
“The Silent Twins,” Agnieszka Smocynska (Poland)
“The Stranger,” Thomas M. Wright (Australia)
“The Worst” OR “Les Pires,” Lise Akora and Romane Gueret (France)
OUT OF COMPETITION
“Elvis,” Baz Luhrmann (U.S.-Australia)
“Final Cut” OR “Z (Comme Z),” Michel Hazanvicius (France) — OPENER
“Mascarade,” Nicolas Bedos (France)
“November,” Cédric Jimenez (France)
“Three Thousand Years of Longing,” George Miller (Australia)
“Top Gun: Maverick,” Joseph Kosinski (U.S.)
MIDNIGHT SCREENINGS
“Fumer fait tousser,” Quentin Dupieux (France)
“Hunt,” Lee Jung-Jae (S. Korea)
“Moonage Daydream,” Brett Morgen (U.S.)
SPECIAL SCREENINGS
“All That Breathes,” Shaunak Sen (India)
“The Natural History of Destruction,” Sergei Loznitsa (Ukraine)
“Jerry Lee Lewis: Trouble in Mind,” Ethan Coen (U.S.)
CANNES PREMIERE
“Dodo,” Panos H. Koutras (Greece)
“Irma Vep,” Olivier Assayas (France)
“Nightfall,” Marco Bellocchio (Italy)
“Nos Frangins,” Rachid Bouchareb (France)
