The Chase Scene
The famous car chase scene lasts 10 minutes and 53 seconds, though originally the scene wasn’t in the script.
In the first draft, adapted from Robert L. Fish’s novel “Mute Witness,” Detective Frank Bullitt was a Boston cop who ate a lot of ice cream and never solved a case. The book had originally been bought with Spencer Tracy in mind, but when Tracy died, in 1967, the property went to McQueen and producer Philip D’Antoni. D’Antoni added the chase, and changed the location to San Francisco.
San Francisco
At the time, San Francisco was not a big filmmaking center, but Mayor Joseph L. Alioto was keen to promote it. Thus, the movie benefited from freedom of movement around the city, including giving up an entire hospital wing for filming, closing down multiple streets for 3 weeks for the car chase scene, and taking over San Francisco International Airport at night.
Who Actually Drove?
Although Steve McQueen was credited with the driving throughout the entire chase sequence, the car was actually shared by him and Bud Ekins, one of Hollywood’s best stunt drivers.
From the interior shots looking forward inside the Mustang, it’s easy to see which one is driving. When McQueen is driving, the rear-view mirror is down reflecting his face. When Ekins is driving it is up, so his face is hidden.
While shooting the scene where the giant airliner taxis just above McQueen, observers were shocked that no double was used. Asked if the producers couldn’t have found a dummy, McQueen wryly replied, “They did.”
McQueen made a point to keep his head near the open car window during the famous chase scene so that audiences would be reassured that it was he, not a stunt man, who was driving,
After McQueen lost control of his car and smashed into a parked vehicle, his then-wife Neile Adams begged Yates to use stuntmen. However, when McQueen reported for duty to find stuntman Bud Ekins sitting in his car, dressed as McQueen, he was furious.
Bud Ekins, who drove the Mustang, also did the motorcycle jump for Steve McQueen in “The Great Escape (1963).”
Speed
Director Yates called for speeds of about 75 to 80 miles (120 to 129 kilometers) per hour, but the cars (including those with the cameras) reached speeds of over 110 miles (177 kilometers) per hour. Filming of the chase scene took three weeks, resulting in nine minutes and forty-two seconds of footage. They were denied permission to film on the Golden Gate Bridge.
Bullitt’s reverse burnout during the chase scene actually wasn’t in the script; McQueen had mistakenly missed the turn. The footage was still kept, though.
Cars: Mustang and Dodge Charger
Two Mustangs and two Dodge Chargers were used for the chase scene. Both Mustangs were owned by the Ford Motor Company and part of a promotional loan agreement with Warner Bros.
The cars were modified for the high-speed chase by vet auto racer Max Balchowsky. Stunt coordinator Carey Loftin got Bud Ekins to drive the Mustang for the bulk of the stunts. Both of the Dodges were junked after the film, as was one of the Mustangs. The other, less banged-up Mustang was purchased by Warner employee after post-production.
The car ended up in New Jersey a few years later, and McQueen tried to buy it. The owner refused to sell, and the car now sits in a barn. It has not been driven until recently when it was used by Ford to promote the 2018 “Bullitt” Mustang, shown at the Detroit international auto show.
James Dean Connection: Bill Hickman (Sep, 1955)
Bill Hickman, the backup hit man and driver of the Charger, was experienced in driving stunts and in racing. Thirteen years before this film, being a friend of actor and budding race driver James Dean, he was accompanying Dean to a race in Salinas, California. He was driving Dean’s station wagon and car trailer while Dean drove ahead in his Porsche Spyder. Dean died in an accident on the way, and it was Bill Hickman who extricated Dean’s body from the wreck.
McQueen: Fashion Icon
Several items of clothing worn by McQueen received a boost in popularity after the film: desert boots, a trench coat, a blue turtleneck sweater and a brown tweed jacket with elbow patches.
Safe House
The safe house scenes were shot in and around the Kennedy Hotel at 226 The Embarcadero near Howard Street. That building, and the two-level freeway behind it, was torn down as part of major development of the waterfront after the 1989 Loma Prieta earthquake.
Robert Vaughn
Robert Vaughn, who plays politician Walter Chalmers, didn’t like the script. He felt there was no plot, nor a sensible story line. McQueen insisted that Vaughn do it, but he refused, until the studio finally offered him a lot of money.
Later on, Vaughn repeatedly said that his performance in this film was his best, and that it contains the work of which he was most proud.
Jazz Quartet
In the restaurant scene, the live band playing in the background is Meridian West, a jazz quartet that McQueen had seen performing at the famous Sausalito restaurant, The Trident.
McQueen’s Inspiration
The actor based his character on San Francisco Homicide Inspector Dave Toschi, made famous for his work on the Zodiac killings. McQueen had a copy made of Toschi’s custom fast-draw shoulder holster.
The cops that McQueen rode around with wanted to test his mettle, so they took him to a morgue. They had to admit that the star was pretty cool when he showed up eating an apple.
Though boasting many merits, Bullitt, starring Steve McQueen at top form, is best known for the famous car chase, which lasts 10 minutes and 53 seconds.
It’s the longest car chase scene in film history, surpassing the other famous and exciting car chase, in William Friedkin’s 1971 Oscar winning, The French Connection.
Surprisingly, the scene wasn’t originally in the script.
In the first draft, adapted from Robert L. Fish’s novel “Mute Witness,” Detective Frank Bullitt was a Boston cop who ate a lot of ice cream and never solved a case. The book had originally been bought with Spencer Tracy in mind, but when Tracy died, in 1967, the property went to McQueen and producer Philip D’Antoni.
Preparing for the Chase
To prepare for the car chase, McQueen and other team members spent a day at Coati racetrack near San Francisco, hitting speeds of 140 mph.
John Aprea was originally cast as Johnny Ross but he was replaced by Pat Renella, who bore greater resemblance to Felice Orlandi. Although credited as “Killer” in the credits, Aprea only appears briefly in the opening credits sequence, shooting at Ross’s car during his escape.
Car Color
The Bullitt Mustang color was officially called Highland green. The cars were hatted up with chassis and engine mods to keep pace with the faster Charger in the chase scenes and hold up to the abuse. There was a hole in the boot where a smoke machine was installed to help enhance the cloud made from the rear tires in particular where Bullitt missed the turn reversed and shot off again.
D’Antoni did not know that he was making movie history, when he added the chase, and changed the location to San Francisco.
San Francisco
At the time, San Francisco was not a big filmmaking center, but Mayor Joseph L. Alioto was keen to promote it. Thus, the movie benefited from freedom of movement around the city, including giving up an entire hospital wing for filming, closing down multiple streets for 3 weeks for the car chase scene, and taking over San Francisco International Airport at night.
Who Actually Drove?
McQueen was keen to do as many of his own stunts as possible. He had been embarrassed to admit that it was not him performing the celebrated motorbike stunt in The Great Escape (1963).
Although McQueen was credited with the driving throughout the entire chase sequence, the car was actually shared by him and Bud Ekins, one of Hollywood’s best stunt drivers.
From the interior shots looking forward inside the Mustang, it’s easy to see which one is driving. When McQueen is driving, the rear-view mirror is down reflecting his face. When Ekins is driving it is up, so his face is hidden.
While shooting the scene where the giant airliner taxis just above McQueen, observers were shocked that no double was used. Asked if the producers couldn’t have found a dummy, McQueen wryly replied, “They did.”
McQueen made a point to keep his head near the open car window during the famous chase scene so that audiences would be reassured that it was he, not a stunt man, who was driving,
After McQueen lost control of his car and smashed into a parked vehicle, his then-wife Neile Adams begged Yates to use stuntmen. However, when McQueen reported for duty to find stuntman Bud Ekins sitting in his car, dressed as McQueen, he was furious.
Bud Ekins, who drove the Mustang, also did the motorcycle jump for Steve McQueen in “The Great Escape (1963).”
Speed
Director Peter Yates called for speeds of about 75 to 80 miles (120 to 129 kilometers) per hour, but the cars (including those with the cameras) reached speeds of over 110 miles (177 kilometers) per hour. Filming of the chase scene took three weeks, resulting in nine minutes and forty-two seconds of footage. They were denied permission to film on the Golden Gate Bridge.
Bullitt’s reverse burnout during the chase scene actually wasn’t in the script; McQueen had mistakenly missed the turn. The footage was still kept, though.
Cars: Mustang and Dodge Charger
Two Mustangs and two Dodge Chargers were used for the chase scene. Both Mustangs were owned by the Ford Motor Company and part of a promotional loan agreement with Warner Bros.
The cars were modified for the high-speed chase by vet auto racer Max Balchowsky. Stunt coordinator Carey Loftin got Bud Ekins to drive the Mustang for the bulk of the stunts. Both of the Dodges were junked after the film, as was one of the Mustangs. The other, less banged-up Mustang was purchased by Warner employee after post-production.
The car ended up in New Jersey a few years later, and McQueen tried to buy it. The owner refused to sell, and the car now sits in a barn. It has not been driven until recently when it was used by Ford to promote the 2018 “Bullitt” Mustang, shown at the Detroit international auto show.
Initially the car chase was supposed to be scored, but composer Lalo Schifrin suggested that no music be added as the soundtrack was powerful enough as it was.
Bullitt’s car is a 1968 Ford Mustang 390 GT 2+2 Fastback. The bad guys drive a 1968 Dodge Charger 440 Magnum. The Charger is just barely faster than the Mustang, with a 13.6-second quarter-mile compared to the Mustang’s 13.8-second.
Deconstructing the Chase
In 2008, Motor Trend Magazine promoted the 40th anniversary edition Bullitt Mustang. Because Dodge had also brought back the Charger. The article featured a promotional gimmick of photographing the 2008 Mustang and 2008 Charger simulating the chase scene with the writers breaking down the chase, moment by moment, to explain each car’s strengths and weaknesses.
Editing
The editing of the chase scene was full of challenges. Ralph Rosenblum wrote in 1979 that “those who care about such things may know that during the filming of the climactic chase scene, an out-of-control car filled with dummies tripped a wire which prematurely sent a costly set up in flames, and that editor Frank Keller salvaged the near-catastrophe with a clever and unusual juxtaposition of images that made the explosion appear to go off on time.” This is why a careful view of the footage during the final explosion shows the Dodge Charger visible behind the flames.
The Chase: Route
The chase takes place over several non-contiguous streets in and south of San Francisco.
The sequence starts under Highway 101 in the Mission District. When the Charger does U-turn on Precita Avenue to follow the Mustang, a storage tank on Potrero Hill is visible in the distance.
The next scenes are in the Bernal and Potrero areas, with green hills to the southwest on the horizon and quick view of downtown San Francisco to the northwest in another.
About 21 seconds later, and 5 miles away, Coit Tower appears in the Mustang’s front window to the east. They then come to a stop for two cable cars at Hyde and Filbert Streets. The twin towers of Sts. Peter and Paul Church are visible to the right of Coit Tower.
They turn hard left onto Columbus Avenue, a four-lane street with concrete median. F-type streetcar is seen coming the opposite direction. They climb and Alcatraz Island comes into view on the left, placing them at about Stockton and Chestnut.
They turn north, then west, then south, headed uphill.
In the next cut, they are suddenly going downhill, north towards the Bay.
The next scenes are from different camera angles that capture the same sequence as the two cars head downhill and turn west off the same street. This is clear due to the repeated presence of the same Cadillac, and a green Volkswagen Beetle seen three times.
They complete this sequence by turning west in front of the Caddy towards the bay, a few blocks north of Van Ness. They turn left or south, going uphill, and then the scene cuts to the cars headed downhill or north on Larkin Street, before they turn west onto Francisco Street.
In the next clip, the Dodge has leapt 6 blocks across Van Ness, heading north on Laguna Street.
They turn from Laguna Street, in front of Ft. Mason, onto Marina Boulevard, in front of a Safeway store. (The bottom of the store’s name is seen as the Dodge veers onto Marina.)
They accelerate down Marina Boulevard with the Marina Green and the Golden Gate Bridge briefly visible in the background.
In the next cut, Ft. Mason is visible in the background as they turn once more onto Marina Boulevard. In the next clip, they pass in front of the Safeway again.
The next cut puts them 8 miles away, back in the Vistacion Valley district, turning right from University Street on to Mansell Street.
They then leap 3 miles to the entrance of the Guadelupe Canyon Parkway on San Bruno Mountain in Daly City, heading east.
To extend the chase’s length, the cars are shown driving east then west and back and forth, while supposedly heading only one way, before the Charger crashes at the Parkway’s eastern exit in Brisbane.
About 45 seconds of the chase were filmed on Taylor Street, from 4 different cameras, giving the impression of 4 different parts of the chase. Notice the green Volkswagen Beetle in all of these shots.
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