The movie, McQueen’s third LFF opening film, follows 9-year-old George (Heffernan) in wartime London after his mother Rita (Ronan) sends him as an evacuee to safety in the English countryside. Defiant and determined to get back home on his own to his mother and grandfather Gerald (Paul Weller) in East London, George encounters real danger as a distraught Rita tries to find her footloose son.

Blitz will be released in the U.S. and U.K. on November 1 before becoming available to stream on Apple TV+ Nov. 22.

McQueen shared that Blitz “surrounded my childhood” as a “silent history around us” as he grew up in London. Even though he now lives in Amsterdam, he will always be a Londoner as he is just a quick flight away from the British capital.

About Hunger: “I just thought it would be my first film and my last film.” He added: “I was interested in ritual,” or “the spaces in between the world history books” that make a difference to people.

Filmmakers also shouldn’t be horrible to others, he stressed. Being a director “is not about being an arsehole, but about listening,” McQueen said, adding that there are “too many” of the former. Calling actors “highly” intense and sensitive individuals, he said his goal is always to allow a creative team to arrive at a joint effort in the here and now.

After the success of Hunger, he shared how some folks in Hollywood who expected him to be white.

Decision to make a movie about slavery?

“There was this deafening silence,” McQueen shared. “It was kind of apparent. It was almost like I had to say this happened here.” And it had to be a Hollywood film: “It had to be an American, because you want to serve it back” and say this is your U.S. history.

12 Years a Slave made him the first Black director to win the best picture Oscar.

My Oscar Book

How was that night? “I met Prince,” McQueen shared during his Screen Talk. “That was great!” But “It was heavy.”

He argued: “If President Obama was not the president, that film would not have been made.”

Black filmmakers got to make their films because “it was a blockbuster,” but he noted that the following year there was not a single Black nomination.

Discussing his approach to filmmaking and how his personal history affects it], McQueen said that as a Black man, he didn’t have any privilege, and therefore was focused on going ahead with his work. “I have to get the fuck on with it” and don’t have the privilege of thinking about certain things others may.”

Asked for advice, he told an audience member to stay focused on the work: “Keep going on!”