KPop Demon Hunters: Netflix First Theatrical Win

‘KPop Demon Hunters’ Sings to $17M in First Theatrical Win for Netflix

Since the streamer doesn’t report box office grosses, Comscore’s weekend chart doesn’t include the special sing-along event. Instead, it shows Weapons coming in No. 1 with $15.4 million.

A special two-day sing-along event of the hit animated movie grossed a chart-topping $17 million to $18 million from 1,700 American theaters over the Augiust 22-24 weekend, according to estimates provided by exhibition sources and rival studios.

On Sunday, estimates were slightly higher, $18 million to $20 million.

KPop Demon Hunters

But since Netflix doesn’t report box offices, no one will know the actual number, nor will the film be included on Comscore’s official box office chart.

Instead, New Line and Warner horror sensation Weapons is listed as the official winner of the Aug. 22-24 frame with $15.4 million from 3,631 cinemas in its third outing for an mpressive global cume of nearly $200 million.

The sing-along was a brilliant move on the part of Netflix in continuing to promote Demon Hunters and keep its subscribers happy.

Cinemas were only allowed access to the sing-along on Saturday and Sunday, prompting speculation that Netflix used the theatrical event as marketing stunt in advance of dropping the same sing-along version on the service.

Since debuting in June on the streamer, KPop Demon Hunters — produced by Sony Pictures Animation and costing $100 million— transformed into a cultural phenomenon. It’s becoming No. 1 on Netflix’s all-time list of most watched English-language films after soaring to the top of the animated list.

Its soundtrack has spent several weeks in the top 10 of the Billboard 200 chart, with several songs, led by “Golden,” also shooting to the top of the charts.

Only AMC Theatres, the country and world’s largest circuit, refused to play the sing-along, keeping with its policy of not playing movies that are in the home.

Regal Cinemas and Cinemark Theatres — the country’s two largest circuits behind AMC Theatres — along with Alamo Drafthouse and numerous other circuits all grabbed a piece of the action.

The film’s original storyline centers on the adventures of Huntr/x, a trio comprised of K-pop superstars Rumi (Arden Cho), Mira (May Hong) and Zooey (Ji-young Yoo) who use their secret identities as badass demon hunters to protect their fans from a supernatural threat. Together, they must face their biggest enemy yet — an irresistible rival boy band of demons in disguise. Maggie Kang and Chris Appelhans directed the animated feature for Sony Pictures Animation, based on a screenplay by Danya Jimenez, Hannah McMechan, Kang and Appelhans. The project ultimately landed at Netflix as part of a larger deal with Sony Pictures.
Movie chief Lin said that Netflix is always “looking for powerful new stories, refreshing new voices and daring new approaches” in their films. “KPDH is a perfect example of this approach,” he says, adding that he and Netflix’s head of animation, Hannah Minghella, are “thrilled to be supporting Maggie and Chris as filmmakers and Kristine Belson and her team at Sony Animation” as their studio partner (Minghella used to work with Belson at Sony).
F1: Brad Pitt Star Power

Apple Original Films also made box office headlines over the weekend, as Joseph Kosinski’s sleeper summer blockbuster F1: The Original Movie zoomed past the $600 million mark globally to finish Sunday with a global cume of $603.4 million. Unlike Netflix, Apple is now working closely with theater owners in committing to release select titles for traditional theatrical run, such as F1, which has become Brad Pitt’s biggest film of all time. It’s also the top-grossing sports pic of all time, according to the filmmakers.

Without its own distribution apparatus, Apple must rely on third-party partners to release its titles, and F1 relied on Warners.  No one could have predicted that F1 would earn as much as DC Studios and Warner Superman, which crossed the $600 million mark on Friday. The superhero picture, directed by James Gunn, finished Sunday with $604.5 million.

According to Comscore’s domestic chart, Disney’s Freakier Friday held at No. 2 in its third outing with $9.2 million from 3,675 locations for a global cume of $112.3 million.

Marvel and Disney’s The Fantastic Four: First Steps came in third domestically with $5.9 million for a tepid worldwide tally of $490.1 million.

Universal and DreamWorks Animation’s The Bad Guys 2 rounded out the top five with $5.1 million from 3,288 theaters. Its global haul is $149.1 million.

Focus Features’ specialty picture Honey Don’t! opened in eighth place with $3 million from 1,300 locations, a poor start for a film directed by Ethan Coen. Starring Margaret Qualley from a script he wrote with Tricia Cooke, his wife, the film follows a small-town private investigator trying to solve a series of deaths tied to a mysterious church. Aubrey Plaza, Charlie Day, Billy Eichner and Chris Evans co-star.

Bleecker Street’s indie Relaya gritty corporate whistleblowing thriller from director David MacKenzie, also struggled in its debut. Starring Riz Ahmed, Lily James and Sam Worthington, the movie opened in tenth place with $1.9 million from 1,483 theaters.

A24’s debut of the English-language version of the Chinese animated blockbuster Ne Zha 2 fell flat, debuting to just $1.5 million from 2,208 theaters to fall outside of the top 10 chart.  The family film is the top-grossing title of 2025 so far with more than $2.2 billion in worldwide ticket sales.

The dubbed version, voiced by Osar winner Michelle Yeoh, was dinged by Demon Hunters. The film’s original version already played in America, earning more than $21 million earlier this year.

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