Room with a View (1985)
In 1985, Ivory directed a film adaptation of the classic E. M. Forster novel A Room with a View. The film starred Helena Bonham Carter who was 19 years old at the time, in her first major film role. The film also co-starred Julian Sands, Maggie Smith, Judi Dench, Denholm Elliott, Simon Callow, and Daniel Day-Lewis. The film received universal praise with The Chicago Sun-Times film critic Roger Ebert gave the film four out of four stars, writing: “It is an intellectual film, but intellectual about emotions: It encourages us to think about how we feel, instead of simply acting on our feelings.”[13] The film received eight Academy Award nominations including Best Director for Ivory. He also received Best Director nominations from the British Academy Film Awards, the Golden Globes Awards, and the Directors Guild of America.
Maurice (1987) and Mr. and Mrs. Bridge (1990)
The following year Ivory directed another Forster adaptation, the romantic drama Maurice (1987). The film is a gay love story in the restrictive and repressed culture of Edwardian England. The story follows its main character, Maurice Hall, through university, a tumultuous relationship, struggling to fit into society, and ultimately being united with his life partner. The film stars James Wilby and Hugh Grant in their first major film appearances, and also features Rupert Graves, Simon Callow, Denholm Elliott, Mark Tandy, Billie Whitelaw, Judy Parfitt, Phoebe Nicholls,and Ben Kingsley. In a 2017 retrospective in The New Yorker, Sarah Larson wrote, “…For many gay men coming of age in the eighties and nineties, Maurice was revelatory: a first glimpse, onscreen or anywhere, of what love between men could look like”.
Director James Ivory has said about the legacy of the film: “So many people have come up to me since Maurice and pulled me aside and said, ‘I just want you to know you changed my life.'”
Ivory won the Venice Film Festival’s Silver Lion for Best Director.
This was followed in 1990 by Mr. and Mrs. Bridge, which was adapted by Jhabvala from the novels by Evan S. Connell. According to Ivory, “the world of Mr. and Mrs. Bridge is the world I grew up in…It’s the only film I’ve ever made that was about my own childhood and adolescence.”
The film received an Oscar nomination for Best Actress (Joanne Woodward), as well two New York Film Critics Circle awards. Ivory would later call Mr. & Mrs. Bridge a personal favorite. It was the one film he would most like to see reappraised.
Howards End (1992)
In 1992, Merchant-Ivory tackled their third Forster adaptation, Howards End, based on the acclaimed novel and starring Emma Thompson, Helena Bonham Carter, Anthony Hopkins, and Vanessa Redgrave. The film premiered at the 1992 Cannes Film Festival where it competed for the Palme d’Or and went on to critical acclaim. Ivory received his second Academy Award for Best Director nomination. The film also received three Academy Awards for Best Actress (Emma Thompson), Best Adapted Screenplay, and Best Production Design. The film also received eleven British Academy Film Award nominations, and four Golden Globe Award nominations. In 2016, the film was selected for screening as part of the Cannes Classics section at the 2016 Cannes Film Festival,[17] and was released theatrically after restoration on 26 August 2016.
The Remains of the Day (1993)
The following year, Merchant-Ivory directed the period drama The Remains of the Day (1993), adapted from the acclaimed novel of the same name by Kazuo Ishiguro. American filmmaker Mike Nichols served as one of the film’s producers, and the film reunited Anthony Hopkins and Emma Thompson. Supporting performances included James Fox, Christopher Reeve, Hugh Grant, and Lena Headey. The film revolved around a dedicated butler who serves an English landlord in the years leading up to the second World War. The film was a commercial and critical success with Vincent Canby of The New York Times said, in another favorable review, “Here’s a film for adults. It’s also about time to recognize that Mr. Ivory is one of our finest directors, something that critics tend to overlook because most of his films have been literary adaptations.”
The film received 8 Academy Award nominations with Ivory receiving his third nomination for Best Director. He also received nominations from the British Academy Film Awards, Golden Globe Awards, and Directors Guild of America.
In 1999, the British Film Institute ranked The Remains of the Day the 64th-greatest British film of the 20th century.
In 2017, Ivory wrote and co-produced the film adaptation of Call Me by Your Name, a coming-of-age romantic drama directed by Luca Guadagnino.
Its screenplay is based on the 2007 novel of the same name by André Aciman.
The film is the final installment in Guadagnino’s thematic “Desire” trilogy, after I Am Love (2009), and A Bigger Splash (2015).
Set in 1983 in northern Italy, Call Me by Your Name chronicles the romantic relationship between a 17-year-old, Elio Perlman (Timothée Chalamet), and Oliver (Armie Hammer), a 24-year-old graduate-student assistant to Elio’s father (Michael Stuhlbarg), an archaeology professor.
Ivory originally was to co-direct the film based on Guadagnino’s suggestion however there was no contract to that effect. Ivory accepted the offer to co-direct on the condition that he would also write the film; he spent about 9 months on the screenplay.
Ivory stepped down from a directorial role in 2016, leaving Guadagnino to direct the film alone. According to Ivory, financiers from Memento Films International did not want two directors involved with the project because they “thought it would be awkward … It might take longer, it would look terrible if we got in fights on the set, and so on.”
Guadagnino said Ivory’s version would have likely been “a much more costly [and] different film” that would have been too expensive to make. Ivory became the sole-credited screenwriter.
The film was the only narrative feature he has written but not directed.
Despite stepping aside as director, he remained involved with other aspects of the production.
The film was an immense critical success, after premiering at the Sundance Film Festival.
Ivory received many awards and nominations for his screenplay. He was nominated for his fourth Oscar, this time for Best Adapted Screenplay for which he won.
He also received the BAFTA Award for Best Adapted Screenplay, and Writers Guild of America Award for Best Adapted Screenplay.
