The best chances for foreign artists to get Academy nominations are in the two writing categories: Best Original Screenplay and Best Adapted Screenplay.
Swiss Film: Marie-Louise
The Swiss film, Leopold Lintberg’s Marie-Louise, about a group of French children during World War II, was the first European (and foreign-language) movie to win the Best Original Screenplay.
The Swiss film benefited from the fact that 1945 was a rathe weak year for writing achievements. The other nominees were: Dillinger, Music for Millions, Salty O’Rourke, and What Next, Corporal Hargrove
Italian Neo-Realism
Some of the best Italian neorealistic movies were also nominated for writing awards: Roberto Rossellini’s Open City, with a script by Sergio Amidei and Fellini, and Vittorio De Sica’s Umberto D, scripted by Cesare Zavattini, a major force in post-war Italian cinema.
1959: Pillow Talk Vs. French and Swedish Films
In 1959, two of the five nominated original scripts were in foreign films: Francois Truffaut’s stunning debut, The 400 Blows, which was one of the films to launch the French New Wave, and Ingmar Bergman’s arthouse hit, Wild Strawberries, which boasted a legendary performance from Victor Sjostrom, as the old professor.
Neither film was triumphant. The winner was an American comedy, Pillow Talk, scripted by Russell Rouse and Clarence Greene, based on Stanley Shapiro and Maurice Richlin’s story.
Over the past few decades, the writers of the French comedy, Day for Night, the Italian drama, Seven Beauties; the French Mon Oncle d’Amerique, the West-German Das Boot, the Swedish Fanny and Alexander, the Argentinean The Official Story, Louis Malle’s Au Revoir, Les Enfants, and Agnieszka Holland’s Europa, Europa, have received writing nominations, but not the actual awards.
