Picture: Gentleman’s Agreement (Fox), produced by Darryl F. Zanuck
Director: Elia Kazan, Gentleman’s Agreement
Actor: Ronald Colman, A Double Life
Actress: Loretta Young, The Farmer’s Daughter
Supporting Actor: Edmund Gwen, Miracle on 34th Street
Supporting Actress: Celeste Holm, Gentleman’s Agreement
Writing Screenplay: Miracle on 34th Street, George Seaton
Writing Original Story: Miracle on 34th Street, Valentine Davies
Writing Original Screenplay: The Bachelor and the Bobby-Soxer, Sidney Sheldon
Cinematography b/w: Great Expectations, Guy Green
Cinematography color: Black Narcissus, Jack Cardiff
Art Direction-Set Decoration b/w: Great Expectations, John Bryan; Wilfred Shingleton
Art Direction-Set Decoration color: Black Narcissus, Robert M. Haas; George James Hopkins
Sound Recording: The Bishop’s Wife, Goldwyn Sound Department
Music: Song: Zip-A-Dee-Doo-Dah, Song of the South, music by Allie Wrubel, lyrics by Ray Gilbert
Music: Scoring of a Dramatic or Comedy Picture: A Double Life, Miklos Rosza
Music Scoring of a Musical Picture: Mother Wore Tights, Alfred Newman
Editing: Body and Soul, Francis Lyon and Robert Parrish
Special Effects: Green Dolphin Street, Visual, TA. Arnold Gillespie and Warren Newcombe. Audible, Douglas Shearer and Michael Steinore
Short Subjects: Cartoons: Tweetie Pie (Warner), produced by Edward Selzer
Short Subjects: One-Reel: Goodbye Mis Turlock (MGM), Herbert Moulton
Short Subjects: Two-Reel: Climbing the Matterhorn (Monogram), produced by
Irving Allen
Documentary Short: First Steps
Documentary Feature: Design for Death (RKO)
Irving G. Thalberg Memorial Award: Not Given
Special Awards:
Actor James Baskette, for his able and heart-warming characterization of Uncle Remus, friend and storyteller to the children of the world (Statuette).
Shoeshine (Italian film), for the high quality of this motion picture, brought to eloquent life in a country scarred by war, is proof to the world that the creative spirit can triumph over adversity (Statuette).
Bill and Coo
Colonel William N. Selig, Albert E. Smith, Thomas Armat, and George K. Spoor
