Brutalist, The: Brady Corbet’s Epic Named Best Picture by N.Y. Film Critics Circle; Adrien Brody Best Actor

N.Y. Film Critics Circle Winners: ‘The Brutalist’ Best Film, Adrien Brody and Marianne Jean-Baptiste Top Acting Awards

The Brutalist (2024) Adrien Brody & Alessandro Nivola Credit: Lol Crawley/A24

Brady Corbet’s epic The Brutalist was the big favorite at the N.Y. Film Critics Circle (NYFCC) Awards, earning two major prizes for best film and actor for Adrien Brody.

As the oldest critics’ group in the United States, the NYFCC is seen as a bellwether for awards season, with its best film winner often correlating with Oscar nomination for best picture.

My Oscar Book:

Since the Oscars expanded to 10 best picture nominees in 2009, only 2 NYFCC winners — “Carol” (2015) and “First Cow” (2020) — have failed to get Oscar nominations in the category.

Adrien Brody

Brody’s win for his performance in Corbet’s historical epic has already been acclaimed by reviewers all over the country.

The actor, who made history in 2002 as the youngest-ever best actor Oscar winner for “The Pianist” at age 29, could now become the youngest two-time winner at 51.

Adrien Brody

Brody in 2023

However, he faces stiff competition from strong field that includes Timothée Chalamet in “A Complete Unknown,” Ralph Fiennes in “Conclave” and Colman Domingo in “Sing Sing,” who earned the Gotham on Monday.

RaMell Ross

RaMell Ross, who surprised many by winning the Gotham Award for best director, duplicated his success at the NYFCC with another win for the drama “Nickel Boys,” an adaptation of Colson Whitehead’s Pulitzer Prize-winning novel. Ross’ work on the Amazon MGM title has critics buzzing, and with the film also earning a cinematography prize for Jomo Fray’s first-person POV work, it appears poised to make waves within the Academy’s Directors and Cinematographers branches.  The double win solidifies its place in the awards conversation.

Independent films ruled, with Marianne Jean-Baptiste winning best actress for her searing turn in Mike Leigh’s drama “Hard Truths.” Jean-Baptiste joins a list of NYFCC actress winners, which includes Meryl Streep (“The Iron Lady”) and Cate Blanchett (“Blue Jasmine”) who both went on to win Oscars. Her stunning portrayal of a woman on the verge of mental collapse has received raves after debuting in Toronto, and the win provides the critical momentum for the Bleecker Street release, which opens in limited release on Dec. 6.
My Indie Cinema Book:
Smaller films often rely on these early awards to boost visibility.
Carol Kane Comeback

Carol Kane was the NYFCC’s biggest surprise by earning supporting actress nod for her role as music teacher preparing for her Bat Mitzvah in Nathan Silver’s indie film “Between the Temples.”  Sony Pictures Classics release debuted at Sundance and has become a favorite among critics, which could spotlight the two-time Emmy-winning Kane, 72, who had been nominated almost half a century ago for “Hester Street” (1975).

My Oscar Book:

Two of the four NYFCC acting winners last year went on to be nominated for Oscars: Lily Gladstone (“Killers of the Flower Moon”) and eventual winner Da’Vine Joy Randolph (“The Holdovers”).

NYFCC also awarded smaller, unconventional projects that may find traction in other categories. Gints Zilbalodis’ dialogue-free animated fantasy “Flow” won animated feature, continuing the group’s tradition of championing inventive storytelling. The best first film prize went to Annie Baker’s Janet Planet,” while the best non-fiction film went to “No Other Land,” a documentary about the Palestinian-Israeli conflict, which is still seeking a U.S. distributor.

The International Feature prize went to Payal Kapadia’s “All We Imagine as Light,” a drama that won the Gotham Award on Monday. Although it cannot compete in the Oscars’ International Feature category due to India’s decision to submit Kiran Rao’s “Laapataa Ladies,” its U.S. distributors, Janus Films and Sideshow, are positioning it as a major contender in other categories, including picture, director and original screenplay.
The strategy could mirror the path of last year’s “Anatomy of a Fall,” which overcame its international feature eligibility snub to win the Oscar for screenplay, in addition to being nominated for best picture.
High-profile films like Netflix’s “Emilia Pérez” and “The Piano Lesson,” Paramount’s “Gladiator II” and Universal’s “Wicked” failed to make an impression on the group.
Studios such as Warner (“Dune: Part Two”) and Focus Features (“Conclave”) will now turn their attention to the National Board of Review, Golden Globes and the SAG Awards to build momentum for their campaigns.

Celebrating its 90th year, the NYFCC comprises more than 50 journalists from publications. David Sims will serve as the NYFCC chair in 2024, and Stephen Garrett will continue as the group’s general manager.

The group’s annual awards gala will be held on January 8, 2025, at TAO Downtown in New York.

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