Perfect Road: Adam and Christian Bonke’s Documentary about Nomadic Cyclist Maximillian Schnell

‘Perfect Road’ follows Nomadic Cyclist Pursuing Grueling Challenges

Adam and Christian Bonke’s documentary at the London Film Festival chronicles the eccentric cyclist’s road trip of mountain vistas, while probing existential questions.

Perfect Road, a documentary by Danish directors and cousins Adam and Christian Bonke, follows him on extreme journey through Europe’s highest mountain passes, while also providing a character study.

After its Zurich Festival world premiere, Perfect Road screened at the 2026 BFI London Film Fest.

“I had planned the challenge for eight months, maybe a year,” Schnell says. “From what I understood about the film industry, it’s a very long process because writing the script, financing the movie take a long time, and usually you do that before shooting.”
When he agreed to the project, he made it clear that the film team would make things work on his schedule. “I would not postpone the challenge by two years, and I was super clear about that from the first day.”
‘Perfect Road,’ courtesy of Elk Film

“I always said the same thing,” the cyclist recalls. “‘I’m in my challenge, and I live my life. If you want to do a documentary, it really has to be a documentary. There’s no way I will act anything, or repeat any scene.’ I said, ‘You deal with whatever you can get, but I don’t adapt to you. I don’t want the filmmaking to take a single piece of energy out of me.’ Basically, we’re two distinct entities. They were trying to film something, and I tried to achieve something.”

In the process, the filmmakers embarked on an adventure that involved living three months in a campervan, filming nature and winding roads. “We thought that we would have several DPs over the three months,” Christian Bonke notes. “But then our DP was kicked out by his girlfriend, and he had nowhere to stay. So he said, ‘I’m going to do all three months. This is perfect for me.”

What helped the Bonkes was the man they followed

“Max is very organized, and he is a nerd when it comes to planning and mapping,” Adam Bonke says. “We knew every day where he would be, which peaks he would climb, and we could look 12 days ahead and say, ‘Okay, he’s going to be in Austria on this peak.’ There were some delays, when the weather hit, but he actually stuck to the plan amazingly.”

Schnell was adamant about the crew not providing any help to him. “We were thinking that maybe the crew could take a set of tires, so that if my tires wear out, I would have them in their car,” he shares. “But I didn’t want them to take energy from me, and I didn’t want any advantage.”

Christian Bonke discusses how Schnell stuck to his independence and took on the mountain challenge without help. “Many nights, we wanted to invite him inside the campervan and offer him food. But he refrained from that. He was in the van just once–for a very short period.”

‘Perfect Road,’ courtesy of Elk Film

Adds Adam: “We just wanted to show him what we were doing, and filming, so he came in for two minutes and then left again.”

Schnell is valuing his freedom and nature so much that the filmmakers noticed that, at times, he needed more space. “Initially, he was thrilled that we would make the film, but he was so concentrated on the difficult physical task,” says Christian. “So soon he became a little tired of the camera being there. One of his core values is solitude, but then he had three of us going around with him.”

Adds Adam: “The worst thing for him was that there was a car behind him, because he really loves nature, silence, solitude and just being in that moment. And then there we were in a diesel van behind him a lot of the time.”

Says Christian: “We were focusing on not being too intrusive. We let him be in the zone, and can almost feel that sometimes he got so used to us that he didn’t even notice us.”

But the filmmaker duo had to be ready to capture any unusual encounters or special moments. “We quickly learned that filming a guy going up and down mountains every day is going to get repetitive,” recalls Adam. “It’s going to get boring. So we really needed to be there when he did something else, when he met someone, when he had conversations with other human beings. We wanted to give him space, but we also really needed to be there when something social happened.”

Camera’s impact on Schnell?
“It’s interesting what a camera does to you. You start to reflect,” says Christian Bonke. “There’s almost metaphysical element to him sensing our gaze. He said that he was contemplating whether he could continue his whole life like this. That was something lingering in the back of his mind. He ended up living like that for almost 10 years, sleeping in tent every night.”

Things have changed since the film shoot three years ago. Asked if he was planning any new big challenges, Schnell says: “There has not been one single idea in those three years since the challenge that really sounded sexy enough to go for. I’m in a challenge because I now have a base camp here in Bolzano. It’s quite a challenge to settle somewhere. I create backpacking events, it’s a different challenge. It’s not a dramatic, sporty challenge, but for me, it’s challenging.”

“We often talk about how we miss those days,” Christian Bonke says. “It was so beautiful, and you felt embraced by nature. After meeting Max, we were struck by how conventional our lives at home were and how many constraints they had. We could get a little glimpse of living differently.”

Adam Bonke shares: “He’s trading comfort for freedom. That’s such a nice thing to say, and it really frames things perfectly. We were interested in learning what that price of freedom is. We can all relate to what he’s done. We all fantasize occasionally about leaving, about changing things, doing something radical with our lives. But very few of us do anything. Whether you’re interested in cycling or not, this is a guy who did something radical with his life.”

In the end, however, the cyclist leaves it up to viewers of Perfect Road what they actually take away from the film experience.

Source: Variety, Hollywood Reporter, Indiewire.

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