Ben Whishaw on ‘The Black Doves’ and ‘Peter Hujar’s Day,’ and Refusing to Be Pigeonholed and Playing Characters Whose Sexuality Isn’t Their ‘Defining Characteristic.’

Cannes Festival was the dream. You’re sort of in an existential crisis after that. I’m still figuring it out, quite honestly.

The common desire is that the work doesn’t become disposable or dated.

Keeve’s depiction of Mizrahi in Unzipped caused such a rift between the two that they broke up shortly after the film’s release.