Astounding Success $355 Million Debut, Second-Biggest Opening Weekend in Box Office History

It’s the second-biggest debut in domestic box office history, after 2019’s “Avengers: Endgame” with $357 million, not adjusted for inflation. “Brand New Day” could end up eclipsing the all-time record if Monday’s final tally lands above estimates. No other films have ever come close to surpassing $300 million in a single weekend. The third-largest domestic opening belongs to 2021’s “Spider-Man: No Way Home” with $260 million, followed by 2018’s “Avengers: Infinity War” with $257 million. Yes, Marvel Studios now boasts the four largest openings of all time at the domestic box office.
“This is a truly phenomenal opening, and we are grateful to audiences everywhere for coming out and experiencing our film the way it was meant to be seen,” said Marvel Studios president Kevin Feige, who produced the movie. “This debut reflects the enduring power of Marvel’s characters, and the connection they continue to have with fans around the world — and, as audiences saw, it sets up exciting things to come.”
Few in Hollywood had expected another movie to near the box office heights of “Avengers: Endgame,” which was touted as the epic culmination of 22 interconnected films. After the history-making finale of “Endgame,” Marvel experienced its first-ever bout of superhero fatigue with sequels such as 2023’s “The Marvels” and “Ant-Man and the Wasp: Quantumania” and 2025’s “Captain America: Brave New World,” “Thunderbolts” and “The Fantastic Four: First Steps” all disappointing at the box office. There were hits, like “No Way Home,” 2022’s “Doctor Strange in the Multiverse of Madness” and “Black Panther: Wakanda Forever” and 2024’s “Deadpool & Wolverine,” but audiences were no longer showing up to theaters just because a new superhero adventure was gracing the big screen.
“Audiences are tired of seeing the same thing. There are too many connected storylines, and it’s turning entertainment into homework,” says analyst Jeff Bock of Exhibitor Relations. “We need a fresh start.”
That’s part of the appeal of “Brand New Day,” which confirms there’s truly no such thing as Spider-Man fatigue. This Spidey adventure was promoted as a reset in the web-slinging series. That’s after the prior installment, “No Way Home,” ended on a massive cliffhanger: Tom Holland‘s Peter Parker made the difficult decision to erase his identity from the world in order to save the multiverse, leaving his girlfriend (Zendaya) and best friend Ned (Jacob Batalon) to forget about him. Demand — to find out the ramifications of Spider-Man’s fateful choice, and to be among the first to find out who Sadie Sink was playing in the film — was so intense that some locations of major theater chains were scheduling showtimes every 15 minutes from dusk to dawn.
“This weekend’s historic worldwide results remind me of what Clarence wrote to George Bailey in ‘It’s a Wonderful Life’: ‘Remember, no man is a failure who has friends,’” Sony’s chair Tom Rothman said. “‘Spider-Man: Brand New Day’ is fundamentally a movie about friendship, about the balm of connection in all our lives, and that is resonate to audiences of all ages and all around the world. In troubled times, Sony is very proud to have united the world in celebrating a film about hope.”
Elsewhere, “The Odyssey” has surpassed $911 million at the box office, including $395.5 million domestically and $515 million overseas. “The Odyssey” and “Spider-Man: Brand New Day” will imminently be the fourth and fifth releases of the year to surpass $1 billion, following June’s “Toy Story 5” ($1.02 billion) and April’s “The Super Mario Galaxy Movie” ($1.001 billion) and “Michael” ($1.001 billion).
The staying power of “Spider-Man: Brand New Day” and “The Odyssey” will determine whether this summer will become the second since COVID to cross the coveted $4 billion milestone.






