Smile 2: Horror-Thriller Sequels Debuts with $23M Opening

Horror-Thriller Debuts with $23M Opening

Paramount’s horror-thriller sequel is easily set to win the weekend but still has to contend with competition from indie slasher picture Terrifier 3.

Once again written and directed by Parker Finn, the film follows a malevolent spirit that jumps hosts via a diabolical grin, this time infecting troubled pop star, played by Naomi Scott.

Scott stars opposite Lukas Gage, Rosemarie DeWitt and Miles Gutierrez-Riley. This time the budget was $28 million, which is a modest sum for a major studio.

Naomi Scott attends the Global Premiere of Smile 2 at Paramount Pictures Studios on October 14, 2024, in Los Angeles, California.
Smile 2 earned a B CinemaScore from audiences, the same grade as the first film. It’s having to fend off competition from holdover slasher picture Terrifier 3, which opened to $18.9 million last weekend despite being unrated and doing no TV ads.

Terrifier 3, from Cineverse, looks to come in third on the weekend chart with $9 million to $10 million, a solid hold and putting its domestic total at roughly $26 million against a $2 million production budget.

DreamWorks/Universal’s The Wild Robot is benefiting from Terrifier 3 since theaters won’t let anyone under 17 see the latter if they aren’t accompanied by adult.
Rival studios suspect teens are buying tickets instead to see Wild Robot and then sneaking into Terrifier 3 (the same could also be true for Smile 2, which is rated R).

Whatever the case, Wild Robot — which is available in the home via premium VOD — has bragging rights to holding at second place in its fourth weekend as it crosses the $100 million mark domestically.

The headline at the awards box office is Sean Baker’s Anora, which is opening in 5 locations in New York City and Los Angeles. The specialty movie from Neon follows a sex worker who falls for a Russian oligarch’s son and won the top award at the 2024 Cannes Fest.

Anora is on course to post a per-theater average of roughly $108,000, the best showing since Wes Anderson’s Asteroid City last year.

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