Inglourious Basterds: Making of Tarantino’s Cult WWII Movie (New Book by Glennie)

Mélanie Laurent Was Fired From ‘Inglourious Basterds’ After ‘Terrible’ Table Read and Isabelle Huppert Axed for Not Showing Up

INGLOURIOUS BASTERDS, Melanie Laurent, 2009. Ph: Francois Duhamel/©Weinstein Company/Courtesy Everett Collection
©Weinstein Company/Courtesy Everett Collection

Tarantino gets honest in Jay Glennie’s new book, The Making of Inglourious Basterds, about his decision to fire Mélanie Laurent and Huppert before production started on his 2009 revisionist World War II movie.

Laurent ended up being rehired for the leading role of Shosanna Dreyfus, a French cinema owner seeking revenge against the Nazi officer who killed her family.

“Mélanie Laurent’s table read was terrible. It wasn’t good enough to be terrible,” Tarantino told the author (via People). “The most exciting day of preproduction is for me the table read. That is the closest I get to seeing the movie for the first time. Up until then, it’s just been me reading all the scenes to myself or to a friend … so a table read with the whole cast is so exciting and so important to me. Well, Mélanie was terrible, so I fired her.”

Unfortunately, all of the scenes that included Madame Ada Mimieux were cut out of the movie because Tarantino felt they over-explained things too much to the audience. As the director said: “Maggie was fantastic in the movie, but you just didn’t need to know how Shosanna acquired the cinema. All we needed was a title card saying ‘Four Years Later’ and Shosanna explaining that she inherited it from her aunt.”

“Inglourious Basterds” world premiered at the Cannes Film Festival in May 2009, where it won best actor honors for Christoph Waltz.
It then opened in theaters that August, where it became a box office hit with $321 million worldwide. The film remains one of Laurent’s signature roles.

“I have no moral compass when it comes to giving roles to actors: They have to be right. They have to feel like they are right for the world I have created,” Tarantino said about his freewheeling approach to hiring and firing actors. “I have fired actors in the past. If it’s not right, it is not right. I don’t owe them shit. I owe my film the best actors I can find. Period.”

The Making of Quentin Tarantino’s Inglourious Basterds is now available for purchase.

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