GoodFellas (1990): Scorsese’s Exuberant Biopic of Mobster Henry Hill, Starring Ray Liotta, Robert De Niro, Joe Pesci, Lorraine Bracco (Scorsese Best Film)

Dramatically flawed (the narrative is a bit shapeless and the ending could have been more powerful), “GoodFellas” nonetheless is a supremely crafted piece of filmmaking from a director at the peak of his form.

Color of Money, The (1986): Scorsese’s Predictable, Schmaltzy, Inferior Sequel to “The Hustler,” Upbeat Noir in Color, Starring Paul Newman in Oscar-Winning Performance, Tom Cruise, Mary Elizabeth Mastrantonio, Helen Shaver

Boasting two stars, Paul Newman and Tom Cruise, Martin Scorsese’s The Color of Money is an enjoyable but ultimately a mediocre–and impersonal feature, one that belongs to the upbeat territory of Rocky and The Karate Kid rather than that of Mean Streets or Raging Bull.

King of Comedy, The (1983): Scorsese’s Misunderstood Satire about Fame and Fans is one of his Best Films, Starring De Niro, Jerry Lewis, Sandra Bernhard, Diahnne Abbott, Cameos by Scorsese Family (Mother, Father, and Scorsese Himself)

As written by Paul Zimmerman and directed by Scorsese, “King of Comedy” was misinterpreted by many film critics. At heart, the movie is a pungent black comedy about a showbiz hanger-on and loser who idolizes America's top TV comedian/talk show host and figures out a bizarre scheme to get on the program. Though timely and relevant, for some reason, the film was considered too mordant and “sick” by some viewers at the time, disregarding the tale's rather accurate (and scary) portrayal of what's the best‚Äîand quickest–way to achieve celebrity status in American society today.

Last Temptation of Christ, The (1988): Scorsese’s Ambitious Passion Project, Sharply Uneven Narrative, Starring Willem Dafoe as Jesus, Harvey Keitel as Judas, Barbara Hershey, Harry Dean Stanton, David Bowie

Martin Scorsese's The Last Temptation of Christ is a thought-provoking and deeply felt drama, adapted from Nikos Kazantzakis's best-selling novel. This controversial film, condemned by various religious groups, speculates about Jesus's self-doubts, when he realizes he has been chosen by God to carry His message.

Casino (1995): Scorsese’s Crime Saga Starring Robert De Niro, Sharone Stone in her Only Oscar Role, and James Wood

As accomplished as it was, Coppola's “The Godfather, Part III” didn't break new grounds thematically or artistically. Neither did “Casino” in 1995, a crime picture that reunites director Martin Scorsese with Robert De Niro, his favorite, quintessential actor, and co-screenwriter Nicholas Pileggi.