Descendant
Margaret Brown, 2022, U.S., 109m
In 1860, decades after the U.S. banned the practice of kidnapping and importing humans for enslavement, yet five years before the 13th amendment emancipated the nation’s already enslaved people, a ship named the Clotilda docked in Mobile, Alabama. There, it unloaded more than one hundred African souls before it was ordered destroyed and sunk to eradicate evidence. Freed in 1865, yet unable to return to their homeland, the survivors founded Africatown—a testament to their strength which persists today despite the town’s governmental neglect and economic disparity. This longsubmerged history symbolizes a nation’s forgotten atrocities in this poignant and cathartic documentary from nonfiction veteran Margaret Brown (The Order of Myths). Reckoning with the legacy of this history and giving voice to the descendants of these enslaved people, Brown’s intricately drawn film tells an urgent tale of community revitalization, environmental action, and racial justice. A Netflix release.
Enys Men
Mark Jenkin, 2022, U.K., 91m
In 1973, on an uninhabited, windswept, rocky island off the coast of Cornwall in southwest England, an isolated middle-aged woman (Mary Woodvine) spends her days in enigmatic environmental study.
When she’s not tending to the stone cottage in which she lodges, her central preoccupation is a cluster of wildflowers at cliff’s edge, their subtle changes noted in a daily ledger.
Yet she’s also increasingly haunted by her own nightmarish visitations, which seem both summoned from her own past and brought up from the very soil and ceremonial history of this mysterious place.
Shot on enveloping, period-evocative 16mm, this eerie, texturally rich experience from Cornish filmmaker Mark Jenkin conjures works of classic British folk horror but remains its own strange being, a genuine transmission from a weird other world.
A NEON release.
U.S. Premiere