Born in 1955, in Wellington, New Zealand, Jane Campion is a graduate of the Australian Film, Television, and Radio School. She first attracted notice in 1982, when her 9-minute student project, Peel, won an award at the Cannes Film Festival.
Campion’s subsequent shorts, including the half-hour “A Girl’s Story” and “Passionless Moments” (both 1984) led to her growing reputation and to her widely acclaimed first feature, “Sweetie” (1989), an offbeat horror-comedy, dealing with sexual politics and (dys)functional family relations, issues that would recur in all of her future work.
Competing at Cannes Film Festival, the controversial film was met with varying reactions, ranging from admiration to dismissal and condemnation.
Campion’s original film is a darkly humorous family drama centering on two sisters. Slender and mousy Kay (Karen Colson) works in a factory and lives a dreary existence with her boyfriend Louis (Tom Lycos). One day, out of the blue, Kay’s sister, Dawn (Genevieve Lemon) arrives with Bob (Michael Lake), a man she introduces as her manager.
The siblings are really opposites. Nicknamed Sweetie, Dawn is boisterous, impulsive, and overweight. Kay is consumed with uptight phobias, while Dawn still holds onto her childhood dreams of a showbiz career.
Meanwhile, the girls’ eccentric parents, Gordon (Jon Darling) and Flo (Dorothy Barry), go through a nasty separation. The climax occurs at a bizarre family gathering. Kay, Louis, and Gordon trick Dawn so they can visit Flo at a ranch in the Australian outback. Everyone gets together back at the family home where Dawn pulls an immature stunt (which cannot be described here).
The film was released theatrically on September 10, 1989 By Avenue Pictures. It came out on DVD on October 24, 2006
Running time: 97 Minutes
“Sweetie” was followed by “An Angel at My Table” (1990), a three-hour feature about the troubled youth of New Zealand’s writer, Janet Frame. Originally made for TV, the film met with success during its screenings at the New York and Venice Film Festivals.
Campion’s next film, in 1993, “The Piano,” her biggest artistic and commercial success to date, shared the top award, the Palme d’Or, at Cannes (with Chen Kaige’s “Farewell My Concubine”). The film was nominated for several Oscars, including Picture, Director, Actress, and others (See below).
In 1993, Jane Campion won the Original Screenplay Oscar for “The Piano,” in a contest that included Nora Ephron, David S. Ward, and Jeff Arch for “Sleepless in Seattle,” Jeff Maguire for “In the Line of Fire,” Ron Nyswaner for “Philadelphia,” and Gary Ross for “Dave.”
Campion lost the Directing Oscar to Steven Spielberg, who won for “Schindler’s List,” a film that swept most of the year’s awards.