The indie director Mira Nair belongs to a rising generation of women who are not necessarily making “women’s films,” but they still reflect female sensibility in their work.
Indian-born but Harvard-educated, Nair has been attracted attracted to the issue of outsiders living on the margins of society, yearning to establish a “real home” or some semblance of a community.
Nair’s feature debut, Salaam Bombay! which won the 1988 Cannes Camera d’Or, is a powerful expose of homeless children. They occupy the lowest classes in society have an identity and role to play, and share a community, however humble it is.
Hecror Babenco 1985 Brazilian movie Pixote and Salaam Bombay! have much in common in their portrayal of the lower classes who must try to survive day to day. The Brazilian street children exist in an anarchic and savage world, and in this film, too, the children are doing the best they can do for themselves under dire circumstances.
Salaam Bombay! portrays the disturbing experiences street children undergo through the eyes of Chaipau (Shafiq Syed), a young country boy who is left alone to struggle to live among the various hustlers, drug peddlers, and prostitutes on the streets of Bombay.
Director Nair undertook detailed research to create Salaam Bombay, and is noted for the induction of the film’s subject into an active fictionalization of his/her experience, which leads to a realistic narration.
The film drew its intensity, texture, and color from first-hand familiarity with its specific locales, the slums of Bombay.
For her second film, Mississippi Masala, Nair chose a spicy interracial romance in the Deep South, starring the then young and relatvely unfamiliar Denzel Washungton. Her next feature, The Perez Family, also deals withoutsiders, chronicling the entangled lives of Cuban immigrants as they try to forge a new existence in Miami.
Nair grew up in a small town in the Indian state of Orissa, where she later worked as an actress. In 1976, she went to Harvard as an undergraduate and discovered filmmaking, which led to a number of documentaries dealing with lives on the margins of Indian society, such as “So Far from India” (1982). Her short, “India Cabaret” (1985), which offered a portrait of strippers in a Bombay nightclub, won international recognition.
Inspired by:
Salaam Bombay! was inspired by a host of classic children pictures, including Vittorio De Sica’ “Shoeshine,” the aforementioned “Pixote,” and the early work of her compatriot, the legendary filmmaker Satyajit Ray.
My Oscar Book:
Oscar Alert
Oscar Nominations: 1
Foreign Language Film
Oscar Awards: None
Oscar Context:
In 1988, the Danish movie, “Pelle the Conqueror,” won the Best Foreign-Language Film Oscar.
