A solid literary adaptation of the classic novel by E.M. Forster, Room With a View is deeply romantic (without trying too hard). exquisitely made picture, with utmost attention to the smallest detail.
A remarkably accomplished film, considering that it was made on a relatively small budget (about $3 million), the movie swept many Oscar nominations, including Best Picture and Director, and became a hit.
The sensibility is still skewed toward the “Masterpiece Theater” approach, but this time round, perhaps inspired by the Tuscany locations, the film is more buoyant, lacking the stuffy, middlebrow and restrained style of most of their previous efforts. The movie revolves around a romantic triangle, centering son the young, beautiful and nave Lucy Honeychurch (Helena Bonham Carter), who is torn between two vastly different suitors, the earnest George Emerson (Julian Sands) and the goofy and eccentric Cecil Vyse (Daniel Day-Lewis). That same year, 1986, Day-Lewis gave another stellar performance in “My Beautiful Launderette.”
The film is extremely well-cast, with top-notch performances by Maggie Smith as Charlotte Bartlett, Luchy’s chaperone; Denholm Elliott as Mr. Emerson in an Oscar-nominated turn; and Judi Dench, who in the next decade went on to become a major screen actress and Oscar contender.
The film exhibits Merchant and Ivory’s distinctive filmic strategy: choosing worthy literay material, which they then turn into an evenly composed, gussied-up, enjoyable entertainment.
Oscar Alert
Oscar Nominations: 8
Picture: produced by Ismail Merchant Director: James Ivory Screenplay (Adapted): Ruth Prawer Jhabvala Supporting Actor: Denholm Elliott Supporting Actress: Maggie Smith Cinematography: Tony Pierce-Roberts Art Direction-Set Decoration: Gianni Quaranta and Brian Ackland-Snow; Brian Savegar and Elio Altamura Costume Design: Jenny Beavan and John Bright
Oscar Awards: 3
Screenplay Art Direction Costume Design
Oscar Context
In 1986, the Merchant-Ivory period adaptation “A Room With a View” competed for the Best Picture Oscar with Woody Allen’s serio-comedy “Hannah and Her Sisters,” the well-acted melodrama “Children of Lesser God,” Oliver Stone’s Vietnam combat film “Platoon,” which won, the dull historical epic “The Mission.”
The nominations caused a scandal when the helmer of “Children of a Lesser God,” Randa Haines, failed to receive a Best Director nod, probably because of the gender; similar discrimination occurs when both Penny Marshall and Barbra Streisand were snubbed by the Director Branch, despite the fact that their pictures, “Awakenings” and “The Prince of Tides,” respectively, did get Best Picture nominations.
The Cinematography Oscar went to Chris Menges for “The Mission.” Both Michael Caine and Dianne Wiest won the Supporting Acting Oscars for Woody Allen’s comedy “Hannah and Her Sisters.”
Cast
Charlotte Bartlett (Maggie Smith)
Lucy Honeychurch (Helena Bonham Carter)
Mr. Emerson (Denholm Elliott)
George Emerson (Julian Sands)
Cecil Vyse (Daniel Day-Lewis
Reverend Beebe (Simon Callow)
Miss Lavish (Judi Dench)
Mrs. Honeychurch (Rosemary Leach)
Freddy Honeychurch (Rupert Graves)
Mr. Eager (Patrick Godfrey)
Credits
Cinecom Pictures release of (Merchant Ivory and Goldcrest Production)
Picture: produced by Ismail Merchant
Director: James Ivory
Screenplay (Adapted): Ruth Prawer Jhabvala, based on the novel by E. M. Forster Cinematography: Tony Pierce-Roberts
Editing: Humphrey Dixon
Art Direction-Set Decoration: Gianni Quaranta and Brian Ackland-Snow; Brian Savegar and Elio Altamura
Costume Design: Jenny Beavan and John Bright
Music: Richard Robbins
Production design: Gianni Quaranta, Brian Ackland-Snow
Running time: 115 Minutes
