Most of Bogart’s career was devoted to tales of the contemporary world, depicting the dark side (violence, corruption) of the American Dream, as manifest in the urban milieu of the Depression, WWII, and the Korea War.
Of the 75 films that he made in a career spanning 27 tears, 43 were crime stories, 15 were war tales, 3 were Westerns, and only 2 were straight comedies
Bogart war films (or set in war context):
13 out of 75, about 17 percent
Across the Pacific, 1942
All Through the Night, 1942
Casablanca, 1943
Sahara, 1943
Passage to Marseilles, 1944
To Have, 1945
Tokyo Joe, 1949
Chain Lighting, 1950
Sirocco, 1951
African Queen, 1951
Battle Circus, 1953
Caine Mutiny, 1954
Left Hand of Gun, 1955
His dominant and defining genre was the crime noir film.
His first role was supporting in a modern story, a Holy Terror (1931.
Westerns:
He made only three Westerns, none good.
In The Oklahoma Kid he was miscast as a Mexican bandit, a black-garbed villain
In Virginia City, he played a half-breed bandit;
In the western-like The Treasure of the Sierra Madre, he played a greedy gold prospector, who’s brutally murdered at the end.
The comedies came late in his career: Sabrina, in 1954, for which he was too old; We’re No Angels,
Screen Death
As noted, he died or was killed on screen in one third of his movies, or 25 to be exact, but 18 of those were made before he became a major star.