Love and Madness: Cross-Cultural Perspectives in Film

Cross-Cultural Perspectives on Love and Madness in Film 

Course offered at ASU

Film Series at ASU Film Society

Film, Director, Year

Blue Angel, J. Von Sternberg, 1930

Death in Venice, L. Visconti, 1971

In the Realm of the Senses, N. Oshima, 1976

King of Hearts, P. De Broca, 1966

Last Tango in Paris, B. Bertolucci, 1973

Lolita, S. Kubrick, 1962

Montenegro, D. Makavejev, 1981

Morgan! A Suitable Case for Treatment, K. Reisz, 1966

Now Voyager,  I. Rapper, 1942

Ordinary People, R. Redford, 1980

The Red Shoes, M. Powell, 1948

Sheer Madness M. Von Trotta, 1986

The Snake Pit, A. Litvak, 1948

Splendor in the Grass,  E. Kazan, 1961

The Story of Adele H. , F. Truffaut, 1975

A Streetcar Named Desire, E. Kazan, 1951

Taxi Driver, M. Scorsese, 1976

The Three Faces of Eve, N. Johnson, 1957

Vertigo, A. Hitchcock, 1958

A Woman Under the Influence, J. Cassavetes, 1974



Belle De Jour, L. Bunuel, 1967

Betty Blue, J.J. Beineix, 1986

Diary of a Man Housewife, 1970

Every Man for Himself, J.L. Godard

The French Lieutenant’s Woman, K. Reisz, 1981

Interiors, W. Allen, 1978

Letter from an Unknown Woman


Long Day’s Journey into Night,  S. Lumet, 1962

The Night Porter

9 1/2 Weeks

The Pumpkin Eater


Savage Messiah

The Sterile Cuckoo

Summer and Smoke

The Woman Next Door

Wuthering Heights